英语小说网

1:1 [hgb]  为 基 督 耶 稣 被 囚 的 保 罗 ， 同 兄 弟 提 摩 太 ， 写 信 给 我 们 所 亲 爱 的 同 工 腓 利 门 ，      [kjv]  Paul, a prisoner of Jesus Christ, and Timothy our brother, unto Philemon our dearly beloved, and fellowlabourer,     [bbe]  Paul, a prisoner of Jesus Christ, and Timothy our brother, to Philemon, our dear helper in the faith, 1:2 [hgb]  和 妹 子 亚 腓 亚 ， 并 与 我 们 同 当 兵 的 亚 基 布 ， 以 及 在 你 家 的 教 会 。      [kjv]  And to our beloved Apphia, and Archippus our fellowsoldier, and to the church in thy house:     [bbe]  And to Apphia, our sister, and to Archippus, our brother in God's army, and to the church in your house:

小说描写一个孤女艾米丽受到监护人的虐待，面临失去财产的威胁，被监禁在城堡中，但最终获得了自由，并与心爱的人团聚的故事。就在这奥多芙孤堡（高居阴暗尔庄严的亚平宁半岛的群山衷间）闹鬼的气氛中，发生了许多奇怪可怕的事情。

 Old Man Coyote is full of tricks. People with such clever wits as his usually are full of tricks. On the other hand Bowser the Hound isn't tricky at all. He just goes straight ahead with the thing he has to do and does it in the most earnest way. Not being tricky himself, he sometimes forgets to watch out for tricks in others.

故事发生在彼得等四兄妹回到自己的世界一年后。他们四人在假期回校时坐在火车站的长椅上等车，忽然感到有股特殊的力量将他们拉进纳尼亚。他们得知，自从他们离开纳尼亚后已经过去了1300年。纳尼亚原国王的弟弟弥若兹篡夺了王位，杀害兄长。在他的残暴统治下，所有会说话的动物和精灵们都隐藏起来了。然而老国王的儿子凯斯宾王子渴望解放纳尼亚，他逃离王宫，在森林里找到了纳尼亚的老居民，并得到他们的支持。正邪双方展开激战。王子在寡不敌众的时候吹响了苏珊的魔法号角，将彼得四兄妹唤回这个世界帮助他们。他们领导纳尼亚的动物和精灵们战胜了邪恶的国王，凯斯宾王子继承了王位，纳尼亚又恢复了以往的生机勃勃。彼得四兄妹又重返自己的世界。

诗人书写了孩子纯净的心灵。孩子们喜欢玩简单的小游戏，且乐此不疲。“他们用沙子建造房屋，他们用空贝壳游戏。”“孩子，你多么快乐，整个早晨坐在尘土里，玩着一根折断的小树枝。”孩子们有着奇妙的想象，“如果我闹着玩儿，变成一朵金香木花，长在那树的高枝上，在风中笑得摇摇摆摆，在新生嫩叶上跳舞，妈妈，你认得出是我吗？”此外，《新月集》也描写了孩子和母亲的感情。“他知道慈母心中小小一角就可以容纳无穷的欢乐，被母亲逮住了紧抱在她慈爱的双臂里，远比自由甜蜜。”在诗人的笔下，诗中的母亲带有一种圣洁的光辉。

This is a charming tale about a mother's unconditional and gratifying love for her children. It also highlights the fact that what fate holds in store for each of us is never known. Harte has brilliantly drawn the most unusual characters that pursue life and struggle through it. An amazing narrative!

Bret Harte is a fondly remembered western writer who spent only eighteen of his sixty-six years in the American west -- in fact, he went on, in 1878, to get work as an American consul in Germany, and as far as we can tell, never came back to the United States. He died in 1902, and was buried in the churchyard of St. Peter's Church, in Frimley, Surrey, England. Even so, the American west was in his heart, and that was what he wrote about -- as he does here, in Devil's Ford, a novel set in Harte's California, which it speaks to preposterousness in a very Bret-Hartelike way: Kearney, it's decided, will furnish water brought from the Union Ditch, twenty miles away, at a cost of two hundred thousand dollars, to feed a memorial fountain erected by Mattingly, worth a hundred thousand dollars, as a crowning finish to public buildings contributed by Maryland Joe, to the extent of half a million more. The disposition of these vast sums by gentlemen wearing patched breeches awakened no sense of the ludicrous, nor did any doubt, reservation, or contingency enter into the plans of the charming enthusiasts themselves. The foundation of their airy castles lay already before them in the strip of rich alluvium on the riverbank, where the North Fork, sharply curving round the base of Devil's Spur, had for centuries swept the detritus of gulch and canyon. Like all of Bret Harte's work, this novel is fun stuff. Don't miss it.

The dreary March evening is rapidly passing from murky gloom to obscurity.  Gusts of icy rain and sleet are sweeping full against a man who, though driving, bows his head so low that he cannot see his horses.  The patient beasts, however, plod along the miry road, unerringly taking their course to the distant stable door.  The highway sometimes passes through a grove on the edge of a forest, and the trees creak and groan as they writhe in the heavy blasts.  In occasional groups of pines there is sighing and moaning almost human in suggestiveness of trouble.  Never had Nature been in a more dismal mood, never had she been more prodigal of every element of discomfort, and never had the hero of my story been more cast down in heart and hope than on this chaotic day which, even to his dull fancy, appeared closing in harmony with his feelings and fortune.  He is going home, yet the thought brings no assurance of welcome and comfort.  As he cowers upon the seat of his market wagon, he is to the reader what he is in the fading light--a mere dim outline of a man.  His progress is so slow that there will be plenty of time to relate some facts about him which will make the scenes and events to follow more intelligible.

With her satire on Anglo-Irish landlords in Castle Rackrent (1800), Maria Edgeworth pioneered the regional novel and inspired Sir Walter Scott's Waverley (1814). Politically risky, stylistically innovative, and wonderfully entertaining, the novel changes the focus of conflict in Ireland from religion to class, and boldly predicts the rise of the Irish Catholic bourgeoisie. The second edition now includes new notes informed by the latest scholarship.