英语小说网

After Tarzan s son is kidnapped, Tarzan and Jane are lured into a dangerous trap that separates them. In their desperate search for each other and for their son, they are drawn deep into the dangerous African jungle, where the evil schemes of Tarzan's enemies Rokoff and Paulvitch threaten them at every step. The ape-man must draw on all of his animal strength and all of his human intelligence (as well as the help of the beasts of the jungle) to try to reunite his family in safety.

WHEN I told John that I intended to write his biography, he laughed. “My dear man!” he said, “But of course it was inevitable.” The word “man” on John’s lips was often equivalent to “fool.”

In William Godwin's dark psychological novel of paranoia and persecution, the eponymous hero is a guileless young servant who enters the employment of Ferdinando Falkland, a cosmopolitan and benevolent country gentleman. Falkland is subject to fits of unexplained melancholy, and Caleb becomes convinced that he harbors a dark secret. His discovery of the truth leads to false accusations against him, and a vengeful pursuit as suspenseful as any thriller. The novel is also a powerful political allegory, inspired by the events of the decade following the French Revolution. This is the first paperback edition to reproduce the first edition (1794), restoring the original, highly topical novel written during the political crisis of 1793-4 when the British government clamped down on the burgeoning reform movement. The edition is further enhanced by Pamela Clemit's comprehensive introduction outlining the novel's contemporary reception, its historical and literary contexts, and its alternate endings; three appendices highlighting selected variants between the second and third editions; Godwin's prefatory materials; and new up-to-date bibliography and explanatory notes.

The main character, Ray Atlee, is a law professor with a good salary at the University of Virginia. He has a brother, Forrest, and a dying father, known to many as Judge Reuben V. Atlee. Ray is sent to his father's estate in Clanton, Mississippi, to discuss issues regarding the old man's will and estate. To do this, Ray has to go to Ford County, the setting for two of John Grisham's other books including A Time To Kill. When he finds his father dead in the study, Ray discovers a sum of over three million dollars in the house, money which is not part of Judge Atlee's will. Ray immediately thinks the money is "dirty" because his father could not possibly have made so much money in his career. Assuming that he is the only one who knows about the money, Ray decides to take it without making it officially part of the estate, and does not tell anyone about it: he knows that if he made it a part of the estate, taxes would take most of the money. But later reality proves otherwise. Ray is being followed; someone else knows about the money. After his own investigations into the roots of the money and the identity of his shadow—including trips to casinos and shady meetings with prominent southern lawyers—he eventually discovers that Forrest has the money. He finds Forrest in a drug rehab compound and confronts him. At the end both part, with Forrest telling Ray that he will contact him in a year.

 Paulo Coelho's masterpiece tells the mystical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure. His quest will lead him to riches far different—and far more satisfying—than he ever imagined. Santiago's journey teaches us about the essential wisdom of listening to our hearts, of recognizing opportunity and learning to read the omens strewn along life's path, and, most importantly, to follow our dreams.

约翰·高尔斯华绥1867年8月14日生于英格兰的萨里。高尔斯华绥家境殷实，出生后不久便举家迁入库姆伯的一个大庄园。《福尔塞世家》中的罗宾山别墅便是以它为蓝本。. 14岁时，高尔斯华绥进了一所著名的男生学校——哈罗公学。5年后他上了牛津大学的新学院学习法律。可他不是个特别聪明的学生——他更喜欢赛马。 高尔斯华绥毕业后并没从事多少法律事务。1895年高尔斯华绥遇见了声乐老师西比尔·卡尔并爱上了她。他的家庭并不接受这位年轻女人，为此他们把他送到国外，去加拿大、加勒比海和俄罗斯旅行。 1905年高尔斯华绥与埃达结婚。他们是10年前在庆祝埃达嫁给高尔斯华绥的表兄阿瑟的一个家庭晚会上见的面。埃达和阿瑟婚后很不幸福。高尔斯华绥听说了埃达的不幸，俩人开始私下幽会。人们知道真相后大为震惊，上流社会容不下这对情人。 他的小叔，画家乔治·索特和埃达都鼓励高尔斯华绥创作。11个年头过去了，他靠创作没赚到什么钱。1906年高尔斯华绥发表了小说《有产业的人》，大获成功。人们认为书里写的是埃达与阿瑟不幸婚姻的故事。 高尔斯华绥创作小说、剧本，写文章和书信。他对许多政治和社会问题表现出极大的兴趣和关注。 1910年高尔斯华绥遇上一位年轻的舞蹈演员，玛格丽特·莫里斯。当时，玛格丽特19岁，约翰43岁。她在他的剧本《小小的梦想》中扮演一个角色。埃达知道自己丈夫爱上这位年轻女人时什么也没说。高尔斯华绥最终决定努力忘掉玛格丽特。他和埃达去了国外。.. 一战期间(1914—1918)，高尔斯华绥由于年纪太大不能上前线，他到法国一家医院工作。他把他在英国的房子让出来做医院收治伤员。 高尔斯华绥曾被授予普林斯顿大学、柏林大学荣誉学位。1926年高尔斯华绥在苏塞克斯郡买下了一幢大宅。那时他已是位名作家，一位富有的“有产业的人”。 1932年高尔斯华绥被授予诺贝尔文学奖。1933年1月13日在生病6个月后去世，时年65岁。 在19世纪的英国，知道什么是言语举止得体的上层人就属于上流社会。上流社会的人对穿什么、去什么地方，喜欢什么音乐、绘画等等都有定见。 上流社会的人大多富有，但富有还不够。上流社会的富人还得拥有土地、马、名画等东西。 19世纪的女人结婚时不能拥有任何东西。她的一切财产归丈夫所有。有的丈夫只把他的妻子当做一件家产。 《有产业的人》中描写的福尔塞家庭属于当时的所谓“上流社会”，是上层家庭的一个典型。他们富有，拥有华丽的住宅，收藏有价值的瓷器及绘画作品。他们知道如何彬彬有礼地与他人相处，他们是“符合体面人身份的”——这个字眼是上流社会用来描绘他们认为得体的一切。...

This is a book of stories. For that reason I have excluded all purelylyrical poems. But the word "stories" has been stretched to its fullestapplication. It includes both narrative poems, properly so called; talesdivided into scenes; and a few pieces of less obvious story-telling import in which one might say that the ramatis personae are air, clouds, trees, houses, streets, and such like things. It has long been a favourite idea of mine that the rhythms of `verslibre' have not been sufficiently plumbed, that there is in them a power of variation which has never yet been brought to the light of experiment. Ithink it was the piano pieces of Debussy, with their strange likeness to short vers libre poems, which first showed me the close kinship of musicand poetry, and there flashed into my mind the idea of using the movement of poetry in somewhat the same way that the musician uses the movement of music.

《蕾蒙娜》是第一部正面描写印第安人的作品，主要以同情印第安人、维护印第安人利益。

Time and the Gods is the second book by Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin and others. The book was first published in hardcover by William Heinemann in September, 1906, and has been reprinted a number of times since. It was issued by the Modern Library in an unauthorised combined edition with The Book of Wonder under the latter's title in 1918. Dunsany had a brief preface in the original edition and added a new introduction to the 1922 edition. The book is a series of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegāna. It was preceded by his earlier collection The Gods of Pegāna and followed by some stories in The Sword of Welleran and Other Stories. The book was illustrated by Dunsany's preferred artist Sidney Sime, who provided a range of black and white plates, the originals of which are still at Dunsany Castle. These were present in the 1906 and 1922 editions, not in the unauthorised collectiions and not in most modern reproductions. The title is thought to have been influenced by Algernon Swinburne, who wrote the line “Time and the Gods are at strife” in his 1866 poem “Hymn to Proserpine.”