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阴差阳错的爱情悲喜剧，炉边蟋蟀护卫着家庭 货运工约翰的妻子、善良的主妇多特相信，壁炉边的蟋蟀是捍卫自家家宅的小小神灵。这是一桩不被看好的婚姻，靠运货为生的约翰比多特要年长许多，他粗壮笨拙，多特则娇小可爱，朋友们围绕在多特身边，大家虽皆不富足，却因为拥有多特这样特殊的朋友，在团聚时充满欢声笑语、气氛其乐融融。然而，就在这时，一位不速之客的到来打破了这对夫妻看似平静的普通人的生活。约翰，被一个心怀叵测的“朋友”带到了多特与不速之客“密谋”的现场，这会是一场不般配婚姻引发的闹剧吗？还是一起由心怀叵测的人故意制造的“事故”？“家宅之神”能否护卫凡人家庭？美丽主妇zui终是否与不速之客“私奔”？在一百多年前的英国，我们找到了当今世界的影子，有些事情，历久弥新……

Bret Harte is a fondly remembered western writer who spent only eighteen of his sixty-six years in the American west -- in fact, he went on, in 1878, to get work as an American consul in Germany, and as far as we can tell, never came back to the United States. He died in 1902, and was buried in the churchyard of St. Peter's Church, in Frimley, Surrey, England. Even so, the American west was in his heart, and that was what he wrote about -- as he does here, in Devil's Ford, a novel set in Harte's California, which it speaks to preposterousness in a very Bret-Hartelike way: Kearney, it's decided, will furnish water brought from the Union Ditch, twenty miles away, at a cost of two hundred thousand dollars, to feed a memorial fountain erected by Mattingly, worth a hundred thousand dollars, as a crowning finish to public buildings contributed by Maryland Joe, to the extent of half a million more. The disposition of these vast sums by gentlemen wearing patched breeches awakened no sense of the ludicrous, nor did any doubt, reservation, or contingency enter into the plans of the charming enthusiasts themselves. The foundation of their airy castles lay already before them in the strip of rich alluvium on the riverbank, where the North Fork, sharply curving round the base of Devil's Spur, had for centuries swept the detritus of gulch and canyon. Like all of Bret Harte's work, this novel is fun stuff. Don't miss it.

诗人书写了孩子纯净的心灵。孩子们喜欢玩简单的小游戏，且乐此不疲。“他们用沙子建造房屋，他们用空贝壳游戏。”“孩子，你多么快乐，整个早晨坐在尘土里，玩着一根折断的小树枝。”孩子们有着奇妙的想象，“如果我闹着玩儿，变成一朵金香木花，长在那树的高枝上，在风中笑得摇摇摆摆，在新生嫩叶上跳舞，妈妈，你认得出是我吗？”此外，《新月集》也描写了孩子和母亲的感情。“他知道慈母心中小小一角就可以容纳无穷的欢乐，被母亲逮住了紧抱在她慈爱的双臂里，远比自由甜蜜。”在诗人的笔下，诗中的母亲带有一种圣洁的光辉。

The Scarlet Pimpernel is a classic play and adventure novel by Baroness Emmuska Orczy, set during the Reign of Terror following the start of the French Revolution. The story is a precursor to the "disguised superhero" tales such as Zorro or Batman. The play was produced and adapted by Julia Neilson and Fred Terry. It first opened on 15 October 1903 at Nottingham’s Theatre Royal; it was not a success. Terry, however, had confidence in the play and, with a rewritten last act, took it to London where it opened at the New Theatre on 5 January 1905. The premier of the London production was enthusiastically received by the audience, but critics considered the play 'old-fashioned.' In spite of negative reviews, the play became a popular success, running 122 performances and enjoying numerous revivals. The Scarlet Pimpernel became a favourite of London audiences, playing more than 2,000 performances and becoming one of the most popular shows staged in England to that date.[citation needed] The novel was published soon after the play's opening and was an immediate success. Orczy gained a following of readers in Britain and throughout the world. The popularity of the novel encouraged her to write a number of sequels for her "reckless daredevil" over the next 35 years. The play was performed to great acclaim in France, Italy, Germany and Spain, while the novel was translated into 16 languages. Subsequently, the story has been adapted for television, film, a musical and other media. The international success of The Scarlet Pimpernel allowed Orczy and her husband to live out their lives in luxury. Over the years, they lived on an estate in Kent, a bustling London home and an opulent villa in Monte Carlo. Orczy wrote in her autobiography, Links in the Chain of Life: I have so often been asked the question: "But how did you come to think of The Scarlet Pimpernel?" And my answer has always been: "It was God's will that I should." And to you moderns, who perhaps do not believe as I do, I will say, "In the chain of my life, there were so many links, all of which tended towards bringing me to the fulfillment of my destiny."

The sun was going down on the Dedlow Marshes. The tide was following it fast as if to meet the reddening lines of sky and water in the west, leaving the foreground to grow blacker and blacker every moment, and to bring out in startling contrast the few half-filled and half-lit pools left behind and forgotten. 

With "Can You Forgive Her?" Trollope begins his masterful series of Parliamentary novels, but here he is concerned with the politics of love and the demands of society. Alice Vavasor, lovely, intelligent and just a bit prudish, is torn between two men -- the upright if plodding John Gray, and the evasive yet alluring George Vavasor. She has accepted and rejected their proposals of marriage, uncertain of her own worthiness and the worth of her love. Alice's dilemma makes for a sharp exploration of free choice, a woman's role in a constricted society, and self-examination to the point of emotional stalemate. Add to this the predicament, on a grander scale, of Lady Glencora Palliser, Alice's cousin. The energetic, vivacious and utterly charming Glencora is married to Plantagent Palliser, heir to a ducal throne, who is a man who finds passion in Parliamentary proceedings, not people. Glencora is still pining for the beautiful ne'er-do-well, Burgo Fitzgerald, whom she was forced to leave behind in order to marry as she had been groomed to. Glencora feels that her young marriage is a sham. She feels she cannot live a life without ardent love, that the future for her is bleak without a burning, almost tragic, passion. Here, Trollope examines a marriage in its first tentative stages (in the Palliser novels he gives us the most discerning and moving portrait of a marriage in literature), with all of the self-sacrifice, compromise and reluctant devotion that marriage entails. The novel's third subplot, involving Alice's aunt's choice between somewhat unsuitable suitors, provides a comic, yet still subtly touching, foil to the two main stories. Throughout, Trollope brilliantly evokes the power of society on its players, their private tumult, their public displays of decorum or disgrace. One scene in particular, at a fabulous ball, is among the most thrilling in literature, because Trollope manages to convey, amid the throngs of idle partygoers, the despair, the conflicted psychological motivations, the terror and anguish of two star-crossed lovers, Glencora and Burgo, whose passions are so different: hers a naive yet heartfelt romance, his a self-centered quest for an end to financial woe whatever the emotional cost and public scandal. Neither party is self-aware enough to change here, but one eventually learns to, and finds hope by overcoming the hestitation of commitment brought on by misdirected ardor. The only way to grow is through sacrifice, and fearless self-knowledge. The only way truly to live is through doing the next right thing, publicly and privately. Trollope takes us through the agonizing conflicts of his characters, drawn with a depth and nuance matched by few in literature. This is a towering achievement.

希腊神话即口头或文字上一切有关古希腊人的神、英雄、自然和宇宙历史的神话。原始氏族社会的精神产物，欧洲最早的文学形式。大约产生于公元前8世纪以前，它在希腊原始初民长期口头相传的基础上形成基本规模，后来在《荷马史诗》和赫西俄德的《神谱》及古希腊的诗歌、戏剧、历史、哲学等著作中记录下来，后人将它们整理成现在的古希腊神话故事，分为神的故事和英雄传说两部分。

Charlotte's Web is an award-winning children's novel by acclaimed American author E. B. White, about a pig named Wilbur who is saved from being slaughtered by an intelligent spider named Charlotte. The book was first published in 1952, with illustrations by Garth Williams. The novel tells the story of a pig named Wilbur and his friendship with a barn spider named Charlotte. When Wilbur is in danger of being slaughtered by the farmer, Charlotte writes messages praising Wilbur (such as "Some Pig") in her web in order to persuade the farmer to let him live. Written in White's dry, low-key manner, Charlotte's Web is considered a classic of children's literature, enjoyable to adults as well as children. The description of the experience of swinging on a rope swing at the farm is an often cited example of rhythm in writing, as the pace of the sentences reflects the motion of the swing. Publishers Weekly listed the book as the best-selling children's paperback of all time as of 2000. Charlotte's Web was made into an animated feature by Hanna-Barbera Productions and Paramount Pictures in 1973. Paramount released a direct-to-video sequel, Charlotte's Web 2: Wilbur's Great Adventure, in the US in 2003 (Universal released the film internationally). A live-action film version of E. B. White's original story was released on December 15, 2006. A video game based on this adaption was also released on December 12.