英语小说网

A story of an English girl, Amy Foster, who falls in love with a young Eastern European man who has just survived a shipwreck off the coast of Kent, England.

多梅尼克·克莱里库齐奥老谋深算、为达目的不择手段，下定决心要让他的后代在合法世界立足。他在给外孙丹特和甥外孙克罗斯洗礼的日子里向属下宣布，再过20年至30年他的家族将融入合法的世界，无忧无虑地享受自己的财富。当然，他希望有朝一日成为圣徒，而不是殉难者，因此仍保留着杀手组织。20年过去了，多梅尼克的几个儿子按他的旨意先后在金融、建筑、餐饮业站稳了脚跟，但是家族扭曲、血腥的过往引发了两个血亲之间的仇杀。这对唐的计划来说是个巨大的威胁，但是谁也无法阻挡教父最后的阴谋，谁都阻止不了家族终极的野心。克莱里库齐奥家族在与自己的亲家圣迪奥家族的争斗中大开杀戒，取得了胜利。教父为了使自己经营的赌博业合法，不惜重金贿赂政客绅士、警察侦探，并用暗杀手段，排除异己，扩充了实力。然而，他的外孙丹特却具有圣迪奥家族的反骨，杀死了表舅——克莱里库齐奥家族的铁榔头皮皮。皮皮的儿子克罗斯为父报仇，与丹特作了殊死搏斗。

In case it may be supposed that the African episode in this book was suggested by recent events in the Transvaal, I desire to state that it was written four years before the Jameson raid occurred.  

《贝奥武夫》（Beowulf） 一译贝奥武甫。完成于公元八世纪（约750年左右）的英雄叙事长诗。 全诗共3182行，以斯堪的纳维亚（Scandinavia）（位于北欧的斯堪的纳维亚半岛）的英雄贝奥武夫（Beowulf）的英勇事迹构成主要内容。虽然历史上并未证实确有贝奥武夫其人，但诗中所提及的许多其他人物与事迹却得到印证。 本诗以西撒克斯（Wessex）方言写成，押头韵而不押尾韵，用双字隐喻而不用明喻。是现存古英语文学中最古老的作品，也是欧洲最早的方言史诗。在语言学方面也是相当珍贵的文献。

FLAMBEAU, once the most famous criminal in France and later a very private detective in England, had long retired from both professions. 

主人公“我”是一位画家，一日有一对体面的夫妇上门造访——由于生计所迫，Mr. & Mrs. Monarch希望能做我的模特，他们自恃是“the real thing”，能比那些出身贫寒的模特们扮得好。“我”一时心软，竟答应了下来，可是后来的创作成果证明，这两位“绅士夫人”表情僵硬，模仿力差，永远只有一种僵硬的姿态，根本无法像那些普通模特一样生动活泼，画家其实早已意识到他们的缺点了—— the defect of the real one was so apt to be a lack of representation. “真东西”缺的正是表现力。虽然最后那两位不得不离开了，但对“我”在艺术上造成的伤害——据我的朋友Hawley称——是永久的。

An hour ago, under the marvelous canopy of the blue northern sky, David Carrigan, Sergeant in His Most Excellent Majesty's Royal Northwest Mounted Police, had hummed softly to himself, and had thanked God that he was alive.

The action was placed in the Solomon Islands.  The action was praised by the critics and reviewers as a highly creditable effort of the imagination.  As regards reality—they said there wasn’t any.  Of course, as every one knew, kinky-haired cannibals no longer obtained on the earth’s surface, much less ran around with nothing on, chopping off one another’s heads, and, on occasion, a white man’s head as well.

Tommy Wilhelm in Seize the Day is both inspired and burdened by the American myth of success. At the age of twenty, he changes his name from Wilky Adler to Tommy Wilhelm, a name signifying the person he dreams of becoming. He thereby recalls James Gatz, who by calling himself Jay Gatsby thinks he can conjure up the man Daisy Buchanan will find irresistible. Unlike Gatsby, however, Wilhelm has not fled his past; he confronts it daily through his father, who still calls him Wilky. Wilhelm has "never . . . succeeded in feeling like Tommy, and in his soul had always remained Wilky" (p. 25). But he remains optimistic, though the distance between the man he is and the man he aspires to be is an endless source of despair