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本书由神的故事和英雄传说两部分组成。神的故事涉及宇宙、人类起源、神的诞生等内容；英雄传说则主要讴歌英雄的事迹，同时也批判人性的种种丑恶。整体来看，这本书不仅生动再现了古希腊的历史进程，而且也是当时社会生活的真实写照。它涉及了战争与和平、英勇与懦弱、爱情与诡计、美德与奸诈、忠诚与背弃等一些人类文明进程中的永恒主题。

弗兰肯斯坦是个热衷于生命起源的生物学家，他怀着犯罪心理频繁出没于藏尸间，尝试用不同尸体的各个部分拼凑成一个巨大人体。当这个怪物终于获得生命睁开眼睛时，弗兰肯斯坦被他的狰狞面目吓得弃他而逃，他却紧追不舍地向弗兰肯斯坦索要女伴、温暖和友情；接踵而至的更是一系列诡异的悬疑和命案。

哈利在女贞路遭受到摄魂怪的袭击。他知道邓布利多与凤凰社的成员正在加紧秘密活动，以对抗日益强大的伏地魔。但是所有的人都不愿向他透露更多的情况……哈利在茫然和愤怒中来到霍格沃茨，然而邓布利多不愿见他，海格不知去向。更糟糕的是，哈利越来越频繁地梦见一道长廊，每当他快要走进长廊尽头的门时，他都会头痛欲裂从梦中惊醒，觉得自己的身体里蠕动着一条大蛇。大蛇的影子在哈利的脑海里越来越清晰，伏地魔走近了哈利。这时，邓布利多告诉他一个天大的秘密……

It is May 1660 and the fate of nations is at stake. Mazarin plots, Louis XIV is in love, and Raoul de Bragelonne, son of Athos, is intent on serving France and winning the heart of Louise de la Valliere. D'Artagnan, meanwhile, is perplexed by a mysterious stranger, and soon he learns that his old comrades already have great projects in hand. Athos seeks the restoration of Charles II, while Aramis, with Porthos in tow, has a secret plan involving a masked prisoner and the fortification of the island of Belle-Ile. D'Artagnan finds a thread leading him to the French court, the banks of the Tyne, the beaches of Holland, and the dunes of Brittany. The Vicomte de Bragelonne opens an epic adventure which continues with Louise de la Valliere and reaches its climax in The Man in the Iron Mask. This new edition is the only one in print and is fully annotated with an introduction that sets Dumas's saga in its historical and cultural context.

Mary White Rowlandson (1637-1711) was a colonial American woman who was captured by Native Americans during King Philip's War. After her release, she wrote a book about her experience, Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, considered a seminal work in the American literary genre of captivity narratives. Her book earned Rowlandson an important place in the history of American literature. It became one of the era's best-sellers, going through four editions in one year. The tension between colonists and Native Americans, particularly in the aftermath of King Philip's War, was a source of anxiety. People feared losing their connection to their own society. They had great curiosity about the experience of one who had been "over the line", as a captive of American Indians and returned to colonial society. Many literate English people were already familiar with captivity narratives by British sailors and others taken captive at sea off North Africa and in the Middle East. Finally, in its use of autobiography, Biblical typology, and homage to the "Jeremiad", Rowlandson's book helps the reader understand the Puritan mind.

美国作家玛格丽特·米切尔创作的长篇小说，该作1937年获得普利策文学奖。小说以亚特兰大以及附近的一个种植园为故事场景，描绘了内战前后美国南方人的生活。作品刻画了那个时代的许多南方人的形象，占中心位置的斯嘉丽、瑞德、艾希礼、梅兰妮等人是其中的典型代表。他们的习俗礼仪、言行举止、精神观念、政治态度，通过对斯嘉丽·奥哈拉与白瑞德的爱情纠缠为主线，成功地再现了林肯时期的南北战争以及美国南方地区的社会生活。内容简介：1861年南北战争爆发的前夕，塔拉庄园的千金小姐郝思嘉爱上了另一庄园主的儿子艾希利，但艾希利却选择了郝思嘉的表妹，温柔善良的韩媚兰为终身伴侣。郝思嘉出于妒恨，抢先嫁给了韩媚 兰的弟弟查尔斯。不久，美国南北战争爆发了。艾希利和查尔斯作 为征兵上了前线。查尔斯很快就在战争中死去了。郝思嘉成了寡妇， 但她内心却一直热恋着艾希利。

William Wells Brown (1814-1884) was a prominent abolitionist lecturer, novelist, playwright, and historian. Born into slavery in the Southern United States, Brown escaped to the North, where he worked for abolitionist causes and was a prolific writer and lecturer. In 1847, he published the Narrative of William W. Brown, a Fugitive Slave, Written by Himself, which became a bestseller second only to Frederick Douglass' narrative. He was also a pioneer in several different literary genres, including travel writing, fiction, and drama, and wrote what is considered to be the first novel by an African American: Clotel; or, The President's Daughter (1853). However, because the novel was published in England, the book is not the first African-American novel published in the United States. Most scholars agree that Brown is the first published African-American playwright. He wrote two plays, The Experience; or, How to Give a Northern Man a Backbone (1856) and The Escape; or, A Leap for Freedom (1858). Brown also wrote several historical works, including: The Black Man: His Antecedents, His Genius, and His Achievements (1863), The Negro in the American Revolution (1867) and The Rising Son (1873).

The yachtsmen found the manuscript afloat at sea in a corroded copper cylinder. The manuscript itself told an incredible tale -- a tale of strange adventures in a place beyond contemporary imagination. . . .

Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874, and attracted large sales. Subtitled "A Study of Provincial Life," the novel is set in the fictitious Midlands town of Middlemarch during the period 1830–32. It has multiple plots with a large cast of characters, and in addition to its distinct though interlocking narratives it pursues a number of underlying themes, including the status of women, the nature of marriage, idealism and self-interest, religion and hypocrisy, political reform, and education. The pace is leisurely, the tone is mildly didactic (with an authorial voice that occasionally bursts through the narrative), and the canvas is very broad. Despite the fact that it has some comical characters (Mr. Brooke, the "tiny aunt" Miss Noble) and comically named characters (Mrs. Dollop), Middlemarch is a work of realism. Through the voices and opinions of different characters we become aware of various broad issues of the day: the Great Reform Bill, the beginnings of the railways, the death of King George IV and the succession of his brother, the Duke of Clarence (who became King William IV). We learn something of the state of contemporary medical science. We also encounter the deeply reactionary mindset within a settled community facing the prospect of what to many is unwelcome change. The eight "books" which compose the novel are not autonomous entities, but merely reflect the form of the original serialisation. A short prelude introduces the idea of the latter-day St. Theresa, presaging the character Dorothea; a postscript or "finale" after the eighth book gives the post-novel fates of the main characters. In general Middlemarch has retained its popularity and status as one of the masterpieces of English fiction, although some reviewers have expressed dissatisfaction at the destiny recorded for Dorothea. In separate centuries, Florence Nightingale and Kate Millet both remarked on the eventual subordination of Dorothea's own dreams to those of her admirer, Ladislaw; however, Virginia Woolf gave the book unstinting praise, describing Middlemarch as "the magnificent book that, with all its imperfections, is one of the few English novels written for grown-up people." Martin Amis and Julian Barnes have cited it as probably the greatest novel in the English language.