On Saturday night Dr. Archie went with Fred Ottenburg to hear
“Tannhäuser.” Thea had a rehearsal on Sunday afternoon, but as she
was not on the bill again until Wednesday, she promised to dine with Archie and
Ottenburg on Monday, if they could make the dinner early.
At a little after eight on Monday evening, the three friends returned to
Thea’s apartment and seated themselves for an hour of quiet talk.
“I’m sorry we couldn’t have had Landry with us
tonight,” Thea said, “but he’s on at Weber and Fields’
every night now. You ought to hear him, Dr. Archie. He often sings the old
Scotch airs you used to love.”
“Why not go down this evening?” Fred suggested hopefully, glancing
at his watch. “That is, if you’d like to go. I can telephone and
find what time he comes on.”
Thea hesitated. “No, I think not. I took a long walk this afternoon and
I’m rather tired. I think I can get to sleep early and be so much ahead.
I don’t mean at once, however,” seeing Dr. Archie’s
disappointed look. “I always like to hear Landry,” she added.
“He never had much voice, and it’s worn, but there’s a
sweetness about it, and he sings with such taste.”
“Yes, doesn’t he? May I?” Fred took out his cigarette case.
“It really doesn’t bother your throat?”
“A little doesn’t. But cigar smoke does. Poor Dr. Archie! Can you
do with one of those?”
“I’m learning to like them,” the doctor declared, taking one
from the case Fred proffered him.
“Landry’s the only fellow I know in this country who can do that
sort of thing,” Fred went on. “Like the best English ballad
singers. He can sing even popular stuff by higher lights, as it were.”
Thea nodded. “Yes; sometimes I make him sing his most foolish things for
me. It’s restful, as he does it. That’s when I’m homesick,
Dr. Archie.”
“You knew him in Germany, Thea?” Dr. Archie had quietly abandoned
his cigarette as a comfortless article. “When you first went over?”
“Yes. He was a good friend to a green girl. He helped me with my German
and my music and my general discouragement. Seemed to care more about my
getting on than about himself. He had no money, either. An old aunt had loaned
him a little to study on.—Will you answer that, Fred?”
Fred caught up the telephone and stopped the buzz while Thea went on talking to
Dr. Archie about Landry. Telling some one to hold the wire, he presently put
down the instrument and approached Thea with a startled expression on his face.
“It’s the management,” he said quietly. “Gloeckler has
broken down: fainting fits. Madame Rheinecker is in Atlantic City and Schramm
is singing in Philadelphia tonight. They want to know whether you can come down
and finish Sieglinde.”
“What time is it?”
“Eight fifty-five. The first act is just over. They can hold the curtain
twenty-five minutes.”
Thea did not move. “Twenty-five and thirty-five makes sixty,” she
muttered. “Tell them I’ll come if they hold the curtain till I am
in the dressing-room. Say I’ll have to wear her costumes, and the dresser
must have everything ready. Then call a taxi, please.”
Thea had not changed her position since he first interrupted her, but she had
grown pale and was opening and shutting her hands rapidly. She looked, Fred
thought, terrified. He half turned toward the telephone, but hung on one foot.
“Have you ever sung the part?” he asked.
“No, but I’ve rehearsed it. That’s all right. Get the
cab.” Still she made no move. She merely turned perfectly blank eyes to
Dr. Archie and said absently, “It’s curious, but just at this
minute I can’t remember a bar of ‘Walküre’ after the first
act. And I let my maid go out.” She sprang up and beckoned Archie without
so much, he felt sure, as knowing who he was. “Come with me.” She
went quickly into her sleeping-chamber and threw open a door into a trunk-room.
“See that white trunk? It’s not locked. It’s full of wigs, in
boxes. Look until you find one marked ‘Ring 2.’ Bring it
quick!” While she directed him, she threw open a square trunk and began
tossing out shoes of every shape and color.
Ottenburg appeared at the door. “Can I help you?”
She threw him some white sandals with long laces and silk stockings pinned to
them. “Put those in something, and then go to the piano and give me a few
measures in there—you know.” She was behaving somewhat like a
cyclone now, and while she wrenched open drawers and closet doors, Ottenburg
got to the piano as quickly as possible and began to herald the reappearance of
the Volsung pair, trusting to memory.
In a few moments Thea came out enveloped in her long fur coat with a scarf over
her head and knitted woolen gloves on her hands. Her glassy eye took in the
fact that Fred was playing from memory, and even in her distracted state, a
faint smile flickered over her colorless lips. She stretched out a woolly hand,
“The score, please. Behind you, there.”
Dr. Archie followed with a canvas box and a satchel. As they went through the
hall, the men caught up their hats and coats. They left the music-room, Fred
noticed, just seven minutes after he got the telephone message. In the elevator
Thea said in that husky whisper which had so perplexed Dr. Archie when he first
heard it, “Tell the driver he must do it in twenty minutes, less if he
can. He must leave the light on in the cab. I can do a good deal in twenty
minutes. If only you hadn’t made me eat—Damn that duck!” she
broke out bitterly; “why did you?”
“Wish I had it back! But it won’t bother you, to-night. You need
strength,” he pleaded consolingly.
But she only muttered angrily under her breath, “Idiot, idiot!”
Ottenburg shot ahead and instructed the driver, while the doctor put Thea into
the cab and shut the door. She did not speak to either of them again. As the
driver scrambled into his seat she opened the score and fixed her eyes upon it.
Her face, in the white light, looked as bleak as a stone quarry.
As her cab slid away, Ottenburg shoved Archie into a second taxi that waited by
the curb. “We’d better trail her,” he explained. “There
might be a hold-up of some kind.” As the cab whizzed off he broke into an
eruption of profanity.
“What’s the matter, Fred?” the doctor asked. He was a good
deal dazed by the rapid evolutions of the last ten minutes.
“Matter enough!” Fred growled, buttoning his overcoat with a
shiver. “What a way to sing a part for the first time! That duck really
is on my conscience. It will be a wonder if she can do anything but quack!
Scrambling on in the middle of a performance like this, with no rehearsal! The
stuff she has to sing in there is a fright—rhythm, pitch,—and
terribly difficult intervals.”
“She looked frightened,” Dr. Archie said thoughtfully, “but I
thought she looked—determined.”
Fred sniffed. “Oh, determined! That’s the kind of rough deal that
makes savages of singers. Here’s a part she’s worked on and got
ready for for years, and now they give her a chance to go on and butcher it.
Goodness knows when she’s looked at the score last, or whether she can
use the business she’s studied with this cast. Necker’s singing
Brünnhilde; she may help her, if it’s not one of her sore
nights.”
“Is she sore at Thea?” Dr. Archie asked wonderingly.
“My dear man, Necker’s sore at everything. She’s breaking up;
too early; just when she ought to be at her best. There’s one story that
she is struggling under some serious malady, another that she learned a bad
method at the Prague Conservatory and has ruined her organ. She’s the
sorest thing in the world. If she weathers this winter through, it’ll be
her last. She’s paying for it with the last rags of her voice. And
then—” Fred whistled softly.
“Well, what then?”
“Then our girl may come in for some of it. It’s dog eat dog, in
this game as in every other.”
The cab stopped and Fred and Dr. Archie hurried to the box office. The
Monday-night house was sold out. They bought standing room and entered the
auditorium just as the press representative of the house was thanking the
audience for their patience and telling them that although Madame Gloeckler was
too ill to sing, Miss Kronborg had kindly consented to finish her part. This
announcement was met with vehement applause from the upper circles of the
house.
“She has her—constituents,” Dr. Archie murmured.
“Yes, up there, where they’re young and hungry. These people down
here have dined too well. They won’t mind, however. They like fires and
accidents and divertissements. Two Sieglindes are more unusual
than one, so they’ll be satisfied.”
After the final disappearance of the mother of Siegfried, Ottenburg and the
doctor slipped out through the crowd and left the house. Near the stage
entrance Fred found the driver who had brought Thea down. He dismissed him and
got a larger car. He and Archie waited on the sidewalk, and when Kronborg came
out alone they gathered her into the cab and sprang in after her.
Thea sank back into a corner of the back seat and yawned. “Well, I got
through, eh?” Her tone was reassuring. “On the whole, I think
I’ve given you gentlemen a pretty lively evening, for one who has no
social accomplishments.”
“Rather! There was something like a popular uprising at the end of the
second act. Archie and I couldn’t keep it up as long as the rest of them
did. A howl like that ought to show the management which way the wind is
blowing. You probably know you were magnificent.”
“I thought it went pretty well,” she spoke impartially. “I
was rather smart to catch his tempo there, at the beginning of the first
recitative, when he came in too soon, don’t you think? It’s tricky
in there, without a rehearsal. Oh, I was all right! He took that syncopation
too fast in the beginning. Some singers take it fast there—think it
sounds more impassioned. That’s one way!” She sniffed, and Fred
shot a mirthful glance at Archie. Her boastfulness would have been childish in
a schoolboy. In the light of what she had done, of the strain they had lived
through during the last two hours, it made one laugh,—almost cry. She
went on, robustly: “And I didn’t feel my dinner, really, Fred. I am
hungry again, I’m ashamed to say,—and I forgot to order anything at
my hotel.”
Fred put his hand on the door. “Where to? You must have food.”
“Do you know any quiet place, where I won’t be stared at?
I’ve still got make-up on.”
“I do. Nice English chop-house on Forty-fourth Street. Nobody there at
night but theater people after the show, and a few bachelors.” He opened
the door and spoke to the driver.
As the car turned, Thea reached across to the front seat and drew Dr.
Archie’s handkerchief out of his breast pocket.
“This comes to me naturally,” she said, rubbing her cheeks and
eyebrows. “When I was little I always loved your handkerchiefs because
they were silk and smelled of Cologne water. I think they must have been the
only really clean handkerchiefs in Moonstone. You were always wiping my face
with them, when you met me out in the dust, I remember. Did I never have
any?”
“I think you’d nearly always used yours up on your baby
brother.”
Thea sighed. “Yes, Thor had such a way of getting messy. You say
he’s a good chauffeur?” She closed her eyes for a moment as if they
were tired. Suddenly she looked up. “Isn’t it funny, how we travel
in circles? Here you are, still getting me clean, and Fred is still feeding me.
I would have died of starvation at that boarding-house on Indiana Avenue if he
hadn’t taken me out to the Buckingham and filled me up once in a while.
What a cavern I was to fill, too. The waiters used to look astonished.
I’m still singing on that food.”
Fred alighted and gave Thea his arm as they crossed the icy sidewalk. They were
taken upstairs in an antiquated lift and found the cheerful chop-room half full
of supper parties. An English company playing at the Empire had just come in.
The waiters, in red waistcoats, were hurrying about. Fred got a table at the
back of the room, in a corner, and urged his waiter to get the oysters on at
once.
“Takes a few minutes to open them, sir,” the man expostulated.
“Yes, but make it as few as possible, and bring the lady’s first.
Then grilled chops with kidneys, and salad.”
Thea began eating celery stalks at once, from the base to the foliage.
“Necker said something nice to me tonight. You might have thought the
management would say something, but not they.” She looked at Fred from
under her blackened lashes. “It was a stunt, to jump in and sing
that second act without rehearsal. It doesn’t sing itself.”
Ottenburg was watching her brilliant eyes and her face. She was much handsomer
than she had been early in the evening. Excitement of this sort enriched her.
It was only under such excitement, he reflected, that she was entirely
illuminated, or wholly present. At other times there was something a little
cold and empty, like a big room with no people in it. Even in her most genial
moods there was a shadow of restlessness, as if she were waiting for something
and were exercising the virtue of patience. During dinner she had been as kind
as she knew how to be, to him and to Archie, and had given them as much of
herself as she could. But, clearly, she knew only one way of being really kind,
from the core of her heart out; and there was but one way in which she could
give herself to people largely and gladly, spontaneously. Even as a girl she
had been at her best in vigorous effort, he remembered; physical effort, when
there was no other kind at hand. She could be expansive only in explosions. Old
Nathanmeyer had seen it. In the very first song Fred had ever heard her sing,
she had unconsciously declared it.
Thea Kronborg turned suddenly from her talk with Archie and peered suspiciously
into the corner where Ottenburg sat with folded arms, observing her.
“What’s the matter with you, Fred? I’m afraid of you when
you’re quiet,—fortunately you almost never are. What are you
thinking about?”
“I was wondering how you got right with the orchestra so quickly, there
at first. I had a flash of terror,” he replied easily.
She bolted her last oyster and ducked her head. “So had I! I don’t
know how I did catch it. Desperation, I suppose; same way the Indian babies
swim when they’re thrown into the river. I had to. Now it’s
over, I’m glad I had to. I learned a whole lot to-night.”
Archie, who usually felt that it behooved him to be silent during such
discussions, was encouraged by her geniality to venture, “I don’t
see how you can learn anything in such a turmoil; or how you can keep your mind
on it, for that matter.”
Thea glanced about the room and suddenly put her hand up to her hair.
“Mercy, I’ve no hat on! Why didn’t you tell me? And I seem to
be wearing a rumpled dinner dress, with all this paint on my face! I must look
like something you picked up on Second Avenue. I hope there are no Colorado
reformers about, Dr. Archie. What a dreadful old pair these people must be
thinking you! Well, I had to eat.” She sniffed the savor of the grill as
the waiter uncovered it. “Yes, draught beer, please. No, thank you, Fred,
no champagne.—To go back to your question, Dr. Archie, you can
believe I keep my mind on it. That’s the whole trick, in so far as stage
experience goes; keeping right there every second. If I think of anything else
for a flash, I’m gone, done for. But at the same time, one can take
things in—with another part of your brain, maybe. It’s different
from what you get in study, more practical and conclusive. There are some
things you learn best in calm, and some in storm. You learn the delivery of a
part only before an audience.”
“Heaven help us,” gasped Ottenburg. “Weren’t you
hungry, though! It’s beautiful to see you eat.”
“Glad you like it. Of course I’m hungry. Are you staying over for
‘Rheingold’ Friday afternoon?”
“My dear Thea,”—Fred lit a cigarette,—“I’m
a serious business man now. I have to sell beer. I’m due in Chicago on
Wednesday. I’d come back to hear you, but Fricka is not an
alluring part.”
“Then you’ve never heard it well done.” She spoke up hotly.
“Fat German woman scolding her husband, eh? That’s not my idea.
Wait till you hear my Fricka. It’s a beautiful part.” Thea
leaned forward on the table and touched Archie’s arm. “You
remember, Dr. Archie, how my mother always wore her hair, parted in the middle
and done low on her neck behind, so you got the shape of her head and such a
calm, white forehead? I wear mine like that for Fricka. A little more
coronet effect, built up a little higher at the sides, but the idea’s the
same. I think you’ll notice it.” She turned to Ottenburg
reproachfully: “It’s noble music, Fred, from the first measure.
There’s nothing lovelier than the wonniger Hausrath. It’s
all such comprehensive sort of music—fateful. Of course, Fricka
knows,” Thea ended quietly.
Fred sighed. “There, you’ve spoiled my itinerary. Now I’ll
have to come back, of course. Archie, you’d better get busy about seats
to-morrow.”
“I can get you box seats, somewhere. I know nobody here, and I never ask
for any.” Thea began hunting among her wraps. “Oh, how funny!
I’ve only these short woolen gloves, and no sleeves. Put on my coat
first. Those English people can’t make out where you got your lady,
she’s so made up of contradictions.” She rose laughing and plunged
her arms into the coat Dr. Archie held for her. As she settled herself into it
and buttoned it under her chin, she gave him an old signal with her eyelid.
“I’d like to sing another part to-night. This is the sort of
evening I fancy, when there’s something to do. Let me see: I have to sing
in ‘Trovatore’ Wednesday night, and there are rehearsals for the
‘Ring’ every day this week. Consider me dead until Saturday, Dr.
Archie. I invite you both to dine with me on Saturday night, the day after
‘Rheingold.’ And Fred must leave early, for I want to talk to you
alone. You’ve been here nearly a week, and I haven’t had a serious
word with you. Tak for mad, Fred, as the Norwegians say.”