The excellent Mr. Morris was an Englishman,
and he lived in the days of Queen Victoria
the Good. He was a prosperous and very
sensible man; he read the Times and went to
church, and as he grew towards middle age an
expression of quiet contented contempt for all
who were not as himself settled on his face. He
was one of those people who do everything that
is right and proper and sensible with inevitable
regularity. He always wore just the right and
proper clothes, steering the narrow way between
the smart and the shabby, always subscribed
to the right charities, just the judicious
compromise between ostentation and meanness,
and never failed to have his hair cut to exactly
the proper length.
Everything that it was right and proper for a
man in his position to possess, he possessed;
and everything that it was not right and proper
for a man in his position to possess, he did not
possess.
And among other right and proper possessions,
this Mr. Morris had a wife and children.
They were the right sort of wife, and the right
sort and number of children, of course; nothing
imaginative or highty-flighty about any of
them, so far as Mr. Morris could see; they wore
perfectly correct clothing, neither smart nor hygienic
nor faddy in any way, but just sensible;
and they lived in a nice sensible house in the
later Victorian sham Queen Anne style of
architecture, with sham half-timbering of chocolate-painted
plaster in the gables, Lincrusta
Walton sham carved oak panels, a terrace of
terra cotta to imitate stone, and cathedral glass
in the front door. His boys went to good solid
schools, and were put to respectable professions;
his girls, in spite of a fantastic protest or
so, were all married to suitable, steady, oldish
young men with good prospects. And when it
was a fit and proper thing for him to do so, Mr.
Morris died. His tomb was of marble, and,
without any art nonsense or laudatory inscription,
quietly imposing—such being the fashion
of his time.
He underwent various changes according to
the accepted custom in these cases, and long before
this story begins his bones even had become
dust, and were scattered to the four quarters
of heaven. And his sons and his grandsons
and his great-grandsons and his great-great-grandsons,
they too were dust and ashes, and
were scattered likewise. It was a thing he could
not have imagined, that a day would come
when even his great-great-grandsons would be
scattered to the four winds of heaven. If any
one had suggested it to him he would have resented
it. He was one of those worthy people
who take no interest in the future of mankind
at all. He had grave doubts, indeed, if there
was any future for mankind after he was dead.
It seemed quite impossible and quite uninteresting
to imagine anything happening after he
was dead. Yet the thing was so, and when even
his great-great-grandson was dead and decayed
and forgotten, when the sham half-timbered
house had gone the way of all shams, and the
Times was extinct, and the silk hat a ridiculous
antiquity, and the modestly imposing stone that
had been sacred to Mr. Morris had been burnt
to make lime for mortar, and all that Mr. Morris
had found real and important was sere and
dead, the world was still going on, and people
were still going about it, just as heedless and
impatient of the Future, or, indeed, of anything
but their own selves and property, as Mr. Morris
had been.
And, strange to tell, and much as Mr. Morris
would have been angered if any one had foreshadowed
it to him, all over the world there
were scattered a multitude of people, filled with
the breath of life, in whose veins the blood of
Mr. Morris flowed. Just as some day the life
which is gathered now in the reader of this very
story may also be scattered far and wide about
this world, and mingled with a thousand alien
strains, beyond all thought and tracing.
And among the descendants of this Mr. Morris
was one almost as sensible and clear-headed
as his ancestor. He had just the same stout,
short frame as that ancient man of the nineteenth
century, from whom his name of Morris—he
spelt it Mwres—came; he had the same
half-contemptuous expression of face. He was
a prosperous person, too, as times went, and he
disliked the "new-fangled," and bothers about
the future and the lower classes, just as much
as the ancestral Morris had done. He did not
read the Times: indeed, he did not know there
ever had been a Times—that institution had
foundered somewhere in the intervening gulf of
years; but the phonograph machine, that talked
to him as he made his toilet of a morning,
might have been the voice of a reincarnated
Blowitz when it dealt with the world's affairs.
This phonographic machine was the size and
shape of a Dutch clock, and down the front of
it were electric barometric indicators, and an
electric clock and calendar, and automatic engagement
reminders, and where the clock
would have been was the mouth of a trumpet.
When it had news the trumpet gobbled like a
turkey, "Galloop, galloop," and then brayed out
its message as, let us say, a trumpet might
bray. It would tell Mwres in full, rich, throaty
tones about the overnight accidents to the omnibus
flying-machines that plied around the
world, the latest arrivals at the fashionable resorts
in Tibet, and of all the great monopolist
company meetings of the day before, while he
was dressing. If Mwres did not like hearing
what it said, he had only to touch a stud, and
it would choke a little and talk about something
else.
Of course his toilet differed very much from
that of his ancestor. It is doubtful which would
have been the more shocked and pained to find
himself in the clothing of the other. Mwres
would certainly have sooner gone forth to the
world stark naked than in the silk hat, frock
coat, grey trousers and watch-chain that had
filled Mr. Morris with sombre self-respect in
the past. For Mwres there was no shaving to
do: a skilful operator had long ago removed
every hair-root from his face. His legs he encased
in pleasant pink and amber garments of
an air-tight material, which with the help of an
ingenious little pump he distended so as to suggest
enormous muscles. Above this he also
wore pneumatic garments beneath an amber
silk tunic, so that he was clothed in air and admirably
protected against sudden extremes of
heat or cold. Over this he flung a scarlet cloak
with its edge fantastically curved. On his head,
which had been skilfully deprived of every
scrap of hair, he adjusted a pleasant little cap
of bright scarlet, held on by suction and inflated
with hydrogen, and curiously like the comb of
a cock. So his toilet was complete; and, conscious
of being soberly and becomingly attired,
he was ready to face his fellow-beings with a
tranquil eye.
This Mwres—the civility of "Mr." had vanished
ages ago—was one of the officials under
the Wind Vane and Waterfall Trust, the great
company that owned every wind wheel and
waterfall in the world, and which pumped all
the water and supplied all the electric energy
that people in these latter days required. He
lived in a vast hotel near that part of London
called Seventh Way, and had very large and
comfortable apartments on the seventeenth
floor. Households and family life had long
since disappeared with the progressive refinement
of manners; and indeed the steady rise in
rents and land values, the disappearance of domestic
servants, the elaboration of cookery, had
rendered the separate domicile of Victorian
times impossible, even had any one desired such
a savage seclusion. When his toilet was completed
he went towards one of the two doors of
his apartment—there were doors at opposite
ends, each marked with a huge arrow pointing
one one way and one the other—touched a stud
to open it, and emerged on a wide passage, the
centre of which bore chairs and was moving at
a steady pace to the left. On some of these
chairs were seated gaily-dressed men and
women. He nodded to an acquaintance—it
was not in those days etiquette to talk before
breakfast—and seated himself on one of these
chairs, and in a few seconds he had been carried
to the doors of a lift, by which he descended
to the great and splendid hall in which his
breakfast would be automatically served.
It was a very different meal from a Victorian
breakfast. The rude masses of bread needing
to be carved and smeared over with animal fat
before they could be made palatable, the still
recognisable fragments of recently killed animals,
hideously charred and hacked, the eggs
torn ruthlessly from beneath some protesting
hen,—such things as these, though they constituted
the ordinary fare of Victorian times,
would have awakened only horror and disgust
in the refined minds of the people of these latter
days. Instead were pastes and cakes of agreeable
and variegated design, without any suggestion
in colour or form of the unfortunate animals
from which their substance and juices
were derived. They appeared on little dishes
sliding out upon a rail from a little box at one
side of the table. The surface of the table, to
judge by touch and eye, would have appeared
to a nineteenth-century person to be covered
with fine white damask, but this was really an
oxidised metallic surface, and could be cleaned
instantly after a meal. There were hundreds of
such little tables in the hall, and at most of
them were other latter-day citizens singly or in
groups. And as Mwres seated himself before
his elegant repast, the invisible orchestra, which
had been resting during an interval, resumed
and filled the air with music.
But Mwres did not display any great interest
either in his breakfast or the music; his eye
wandered incessantly about the hall, as though
he expected a belated guest. At last he rose
eagerly and waved his hand, and simultaneously
across the hall appeared a tall dark figure
in a costume of yellow and olive green. As this
person, walking amidst the tables with measured
steps, drew near, the pallid earnestness of
his face and the unusual intensity of his eyes
became apparent. Mwres reseated himself and
pointed to a chair beside him.
"I feared you would never come," he said.
In spite of the intervening space of time, the
English language was still almost exactly the
same as it had been in England under Victoria
the Good. The invention of the phonograph
and suchlike means of recording sound, and
the gradual replacement of books by such contrivances,
had not only saved the human eyesight
from decay, but had also by the establishment
of a sure standard arrested the process
of change in accent that had hitherto been so
inevitable.
"I was delayed by an interesting case," said
the man in green and yellow. "A prominent
politician—ahem!—suffering from overwork."
He glanced at the breakfast and seated himself.
"I have been awake for forty hours."
"Eh dear!" said Mwres: "fancy that! You
hypnotists have your work to do."
The hypnotist helped himself to some attractive
amber-coloured jelly. "I happen to be a
good deal in request," he said modestly.
"Heaven knows what we should do without
you."
"Oh! we're not so indispensable as all that,"
said the hypnotist, ruminating the flavour of
the jelly. "The world did very well without us
for some thousands of years. Two hundred
years ago even—not one! In practice, that is.
Physicians by the thousand, of course—frightfully
clumsy brutes for the most part, and following
one another like sheep—but doctors of
the mind, except a few empirical flounderers
there were none."
He concentrated his mind on the jelly.
"But were people so sane—?" began Mwres.
The hypnotist shook his head. "It didn't
matter then if they were a bit silly or faddy.
Life was so easy-going then. No competition
worth speaking of—no pressure. A human being
had to be very lopsided before anything
happened. Then, you know, they clapped 'em
away in what they called a lunatic asylum."
"I know," said Mwres. "In these confounded
historical romances that every one is listening
to, they always rescue a beautiful girl from an
asylum or something of the sort. I don't know
if you attend to that rubbish."
"I must confess I do," said the hypnotist. "It
carries one out of oneself to hear of those
quaint, adventurous, half-civilised days of the
nineteenth century, when men were stout and
women simple. I like a good swaggering story
before all things. Curious times they were,
with their smutty railways and puffing old iron
trains, their rum little houses and their horse
vehicles. I suppose you don't read books?"
"Dear, no!" said Mwres, "I went to a modern
school and we had none of that old-fashioned
nonsense. Phonographs are good enough
for me."
"Of course," said the hypnotist, "of course";
and surveyed the table for his next choice.
"You know," he said, helping himself to a dark
blue confection that promised well, "in those
days our business was scarcely thought of. I
daresay if any one had told them that in two
hundred years' time a class of men would be
entirely occupied in impressing things upon the
memory, effacing unpleasant ideas, controlling
and overcoming instinctive but undesirable impulses,
and so forth, by means of hypnotism,
they would have refused to believe the thing
possible. Few people knew that an order made
during a mesmeric trance, even an order to forget
or an order to desire, could be given so as
to be obeyed after the trance was over. Yet
there were men alive then who could have told
them the thing was as absolutely certain to
come about as—well, the transit of Venus."
"They knew of hypnotism, then?"
"Oh, dear, yes! They used it—for painless
dentistry and things like that! This blue stuff
is confoundedly good: what is it?"
"Haven't the faintest idea," said Mwres,
"but I admit it's very good. Take some more."
The hypnotist repeated his praises, and there
was an appreciative pause.
"Speaking of these historical romances," said
Mwres, with an attempt at an easy, off-hand
manner, "brings me—ah—to the matter I—ah—had
in mind when I asked you—when I expressed
a wish to see you." He paused and took
a deep breath.
The hypnotist turned an attentive eye upon
him, and continued eating.
"The fact is," said Mwres, "I have a—in
fact a—daughter. Well, you know I have
given her—ah—every educational advantage.
Lectures—not a solitary lecturer of ability in
the world but she has had a telephone direct,
dancing, deportment, conversation, philosophy,
art criticism ..." He indicated catholic
culture by a gesture of his hand. "I had intended
her to marry a very good friend of mine—Bindon
of the Lighting Commission—plain
little man, you know, and a bit unpleasant in
some of his ways, but an excellent fellow really—an
excellent fellow."
"Yes," said the hypnotist, "go on. How old
is she?"
"Eighteen."
"A dangerous age. Well?"
"Well: it seems that she has been indulging
in these historical romances—excessively. Excessively.
Even to the neglect of her philosophy.
Filled her mind with unutterable nonsense
about soldiers who fight—what is it?—Etruscans?"
"Egyptians."
"Egyptians—very probably. Hack about
with swords and revolvers and things—bloodshed
galore—horrible!—and about young men
on torpedo catchers who blow up—Spaniards, I
fancy—and all sorts of irregular adventurers.
And she has got it into her head that she must
marry for Love, and that poor little Bindon—"
"I've met similar cases," said the hypnotist.
"Who is the other young man?"
Mwres maintained an appearance of resigned
calm. "You may well ask," he said. "He is"—and
his voice sank with shame—"a mere attendant
upon the stage on which the flying-machines
from Paris alight. He has—as they say
in the romances—good looks. He is quite
young and very eccentric. Affects the antique—he
can read and write! So can she. And instead
of communicating by telephone, like sensible
people, they write and deliver—what is
it?"
"Notes?"
"No—not notes.... Ah—poems."
The hypnotist raised his eyebrows. "How
did she meet him?"
"Tripped coming down from the flying-machine
from Paris—and fell into his arms. The
mischief was done in a moment!"
"Yes?"
"Well—that's all. Things must be stopped.
That is what I want to consult you about.
What must be done? What can be done? Of
course I'm not a hypnotist; my knowledge is
limited. But you—?"
"Hypnotism is not magic," said the man in
green, putting both arms on the table.
"Oh, precisely! But still—!"
"People cannot be hypnotised without their
consent. If she is able to stand out against
marrying Bindon, she will probably stand out
against being hypnotised. But if once she can
be hypnotised—even by somebody else—the
thing is done."
"You can—?"
"Oh, certainly! Once we get her amenable,
then we can suggest that she must marry Bindon—that
that is her fate; or that the young
man is repulsive, and that when she sees him
she will be giddy and faint, or any little thing
of that sort. Or if we can get her into a sufficiently
profound trance we can suggest that
she should forget him altogether—"
"Precisely."
"But the problem is to get her hypnotised.
Of course no sort of proposal or suggestion
must come from you—because no doubt she already
distrusts you in the matter."
The hypnotist leant his head upon his arm
and thought.
"It's hard a man cannot dispose of his own
daughter," said Mwres irrelevantly.
"You must give me the name and address of
the young lady," said the hypnotist, "and any
information bearing upon the matter. And, by
the bye, is there any money in the affair?"
Mwres hesitated.
"There's a sum—in fact, a considerable sum—invested
in the Patent Road Company.
From her mother. That's what makes the
thing so exasperating."
"Exactly," said the hypnotist. And he proceeded
to cross-examine Mwres on the entire
affair.
It was a lengthy interview.
And meanwhile "Elizebeθ Mwres," as she
spelt her name, or "Elizabeth Morris" as a
nineteenth-century person would have put it,
was sitting in a quiet waiting-place beneath the
great stage upon which the flying-machine
from Paris descended. And beside her sat her
slender, handsome lover reading her the poem
he had written that morning while on duty
upon the stage. When he had finished they sat
for a time in silence; and then, as if for their
special entertainment, the great machine that
had come flying through the air from America
that morning rushed down out of the sky.
At first it was a little oblong, faint and blue
amidst the distant fleecy clouds; and then it
grew swiftly large and white, and larger and
whiter, until they could see the separate tiers of
sails, each hundreds of feet wide, and the lank
body they supported, and at last even the
swinging seats of the passengers in a dotted
row. Although it was falling it seemed to them
to be rushing up the sky, and over the roof-spaces
of the city below its shadow leapt towards
them. They heard the whistling rush of
the air about it and its yelling siren, shrill and
swelling, to warn those who were on its landing-stage
of its arrival. And abruptly the note
fell down a couple of octaves, and it had passed,
and the sky was clear and void, and she could
turn her sweet eyes again to Denton at her side.
Their silence ended; and Denton, speaking in
a little language of broken English that was,
they fancied, their private possession—though
lovers have used such little languages since the
world began—told her how they too would leap
into the air one morning out of all the obstacles
and difficulties about them, and fly to a sunlit
city of delight he knew of in Japan, half-way
about the world.
She loved the dream, but she feared the leap;
and she put him off with "Some day, dearest
one, some day," to all his pleading that it might
be soon; and at last came a shrilling of whistles,
and it was time for him to go back to his duties
on the stage. They parted—as lovers have
been wont to part for thousands of years. She
walked down a passage to a lift, and so came to
one of the streets of that latter-day London, all
glazed in with glass from the weather, and
with incessant moving platforms that went to
all parts of the city. And by one of these she
returned to her apartments in the Hotel for
Women where she lived, the apartments that
were in telephonic communication with all the
best lecturers in the world. But the sunlight
of the flying stage was in her heart, and the
wisdom of all the best lecturers in the world
seemed folly in that light.
She spent the middle part of the day in the
gymnasium, and took her midday meal with
two other girls and their common chaperone—for
it was still the custom to have a chaperone
in the case of motherless girls of the more prosperous
classes. The chaperone had a visitor
that day, a man in green and yellow, with a
white face and vivid eyes, who talked amazingly.
Among other things, he fell to praising
a new historical romance that one of the great
popular story-tellers of the day had just put
forth. It was, of course, about the spacious
times of Queen Victoria; and the author,
among other pleasing novelties, made a little
argument before each section of the story, in
imitation of the chapter headings of the old-fashioned
books: as for example, "How the
Cabmen of Pimlico stopped the Victoria Omnibuses,
and of the Great Fight in Palace Yard,"
and "How the Piccadilly Policeman was slain
in the midst of his Duty." The man in green
and yellow praised this innovation. "These
pithy sentences," he said, "are admirable.
They show at a glance those headlong, tumultuous
times, when men and animals jostled in
the filthy streets, and death might wait for one
at every corner. Life was life then! How
great the world must have seemed then! How
marvellous! They were still parts of the world
absolutely unexplored. Nowadays we have almost
abolished wonder, we lead lives so trim
and orderly that courage, endurance, faith, all
the noble virtues seem fading from mankind."
And so on, taking the girls' thoughts with
him, until the life they led, life in the vast and
intricate London of the twenty-second century,
a life interspersed with soaring excursions to
every part of the globe, seemed to them a monotonous
misery compared with the dædal past.
At first Elizabeth did not join in the conversation,
but after a time the subject became so
interesting that she made a few shy interpolations.
But he scarcely seemed to notice her as
he talked. He went on to describe a new
method of entertaining people. They were
hypnotised, and then suggestions were made to
them so skilfully that they seemed to be living
in ancient times again. They played out a little
romance in the past as vivid as reality, and
when at last they awakened they remembered
all they had been through as though it were a
real thing.
"It is a thing we have sought to do for years
and years," said the hypnotist. "It is practically
an artificial dream. And we know the
way at last. Think of all it opens out to us—the
enrichment of our experience, the recovery
of adventure, the refuge it offers from this
sordid, competitive life in which we live!
Think!"
"And you can do that!" said the chaperone
eagerly.
"The thing is possible at last," the hypnotist
said. "You may order a dream as you wish."
The chaperone was the first to be hypnotised,
and the dream, she said, was wonderful, when
she came to again.
The other two girls, encouraged by her enthusiasm,
also placed themselves in the hands
of the hypnotist and had plunges into the romantic
past. No one suggested that Elizabeth
should try this novel entertainment; it was at
her own request at last that she was taken into
that land of dreams where there is neither any
freedom of choice nor will....
And so the mischief was done.
One day, when Denton went down to that
quiet seat beneath the flying stage, Elizabeth
was not in her wonted place. He was disappointed,
and a little angry. The next day she
did not come, and the next also. He was afraid.
To hide his fear from himself, he set to work
to write sonnets for her when she should come
again....
For three days he fought against his dread
by such distraction, and then the truth was before
him clear and cold, and would not be
denied. She might be ill, she might be dead;
but he would not believe that he had been betrayed.
There followed a week of misery.
And then he knew she was the only thing on
earth worth having, and that he must seek her,
however hopeless the search, until she was
found once more.
He had some small private means of his own,
and so he threw over his appointment on the
flying stage, and set himself to find this girl
who had become at last all the world to him.
He did not know where she lived, and little of
her circumstances; for it had been part of the
delight of her girlish romance that he should
know nothing of her, nothing of the difference
of their station. The ways of the city opened
before him east and west, north and south.
Even in Victorian days London was a maze,
that little London with its poor four millions of
people; but the London he explored, the London
of the twenty-second century, was a London
of thirty million souls. At first he was
energetic and headlong, taking time neither to
eat nor sleep. He sought for weeks and
months, he went through every imaginable
phase of fatigue and despair, over-excitement
and anger. Long after hope was dead, by the
sheer inertia of his desire he still went to and
fro, peering into faces and looking this way and
that, in the incessant ways and lifts and passages
of that interminable hive of men.
At last chance was kind to him, and he saw
her.
It was in a time of festivity. He was hungry;
he had paid the inclusive fee and had gone into
one of the gigantic dining-places of the city; he
was pushing his way among the tables and
scrutinising by mere force of habit every group
he passed.
He stood still, robbed of all power of motion,
his eyes wide, his lips apart. Elizabeth
sat scarcely twenty yards away from him, looking
straight at him. Her eyes were as hard to
him, as hard and expressionless and void of
recognition, as the eyes of a statue.
She looked at him for a moment, and then
her gaze passed beyond him.
Had he had only her eyes to judge by he
might have doubted if it was indeed Elizabeth,
but he knew her by the gesture of her hand, by
the grace of a wanton little curl that floated
over her ear as she moved her head. Something
was said to her, and she turned smiling
tolerantly to the man beside her, a little man in
foolish raiment knobbed and spiked like some
odd reptile with pneumatic horns—the Bindon
of her father's choice.
For a moment Denton stood white and wild-eyed;
then came a terrible faintness, and he sat
before one of the little tables. He sat down
with his back to her, and for a time he did not
dare to look at her again. When at last he did,
she and Bindon and two other people were
standing up to go. The others were her father
and her chaperone.
He sat as if incapable of action until the four
figures were remote and small, and then he rose
up possessed with the one idea of pursuit. For
a space he feared he had lost them, and then he
came upon Elizabeth and her chaperone again
in one of the streets of moving platforms that
intersected the city. Bindon and Mwres had
disappeared.
He could not control himself to patience. He
felt he must speak to her forthwith, or die. He
pushed forward to where they were seated, and
sat down beside them. His white face was convulsed
with half-hysterical excitement.
He laid his hand on her wrist. "Elizabeth?"
he said.
She turned in unfeigned astonishment.
Nothing but the fear of a strange man showed
in her face.
"Elizabeth," he cried, and his voice was
strange to him: "dearest—you know me?"
Elizabeth's face showed nothing but alarm
and perplexity. She drew herself away from
him. The chaperone, a little grey-headed
woman with mobile features, leant forward to
intervene. Her resolute bright eyes examined
Denton. "What do you say?" she asked.
"This young lady," said Denton,—"she
knows me."
"Do you know him, dear?"
"No," said Elizabeth in a strange voice, and
with a hand to her forehead, speaking almost
as one who repeats a lesson. "No, I do not
know him. I know—I do not know him."
"But—but ... Not know me! It is I—Denton.
Denton! To whom you used to
talk. Don't you remember the flying stages?
The little seat in the open air? The verses—"
"No," cried Elizabeth,—"no. I do not know
him. I do not know him. There is something....
But I don't know. All I know
is that I do not know him." Her face was a
face of infinite distress.
The sharp eyes of the chaperone flitted to and
fro from the girl to the man. "You see?" she
said, with the faint shadow of a smile. "She
does not know you."
"I do not know you," said Elizabeth. "Of
that I am sure."
"But, dear—the songs—the little verses—"
"She does not know you," said the chaperone.
"You must not.... You have
made a mistake. You must not go on talking
to us after that. You must not annoy us on the
public ways."
"But—" said Denton, and for a moment his
miserably haggard face appealed against fate.
"You must not persist, young man," protested
the chaperone.
"Elizabeth!" he cried.
Her face was the face of one who is tormented.
"I do not know you," she cried, hand
to brow. "Oh, I do not know you!"
For an instant Denton sat stunned. Then he
stood up and groaned aloud.
He made a strange gesture of appeal towards
the remote glass roof of the public way, then
turned and went plunging recklessly from one
moving platform to another, and vanished
amidst the swarms of people going to and fro
thereon. The chaperone's eyes followed him,
and then she looked at the curious faces about
her.
"Dear," asked Elizabeth, clasping her hand,
and too deeply moved to heed observation,
"who was that man? Who was that man?"
The chaperone raised her eyebrows. She
spoke in a clear, audible voice. "Some half-witted
creature. I have never set eyes on him
before."
"Never?"
"Never, dear. Do not trouble your mind
about a thing like this."
And soon after this the celebrated hypnotist
who dressed in green and yellow had another
client. The young man paced his consulting-room,
pale and disordered. "I want to forget,"
he cried. "I must forget."
The hypnotist watched him with quiet eyes,
studied his face and clothes and bearing. "To
forget anything—pleasure or pain—is to be, by
so much—less. However, you know your own
concern. My fee is high."
"If only I can forget—"
"That's easy enough with you. You wish
it. I've done much harder things. Quite recently.
I hardly expected to do it: the thing
was done against the will of the hypnotised
person. A love affair too—like yours. A girl.
So rest assured."
The young man came and sat beside the
hypnotist. His manner was a forced calm. He
looked into the hypnotist's eyes. "I will tell
you. Of course you will want to know what
it is. There was a girl. Her name was Elizabeth
Mwres. Well ..."
He stopped. He had seen the instant surprise
on the hypnotist's face. In that instant
he knew. He stood up. He seemed to dominate
the seated figure by his side. He gripped
the shoulder of green and gold. For a time he
could not find words.
"Give her me back!" he said at last. "Give
her me back!"
"What do you mean?" gasped the hypnotist.
"Give her me back."
"Give whom?"
"Elizabeth Mwres—the girl—"
The hypnotist tried to free himself; he rose
to his feet. Denton's grip tightened.
"Let go!" cried the hypnotist, thrusting an
arm against Denton's chest.
In a moment the two men were locked in a
clumsy wrestle. Neither had the slightest
training—for athleticism, except for exhibition
and to afford opportunity for betting, had
faded out of the earth—but Denton was not
only the younger but the stronger of the two.
They swayed across the room, and then the
hypnotist had gone down under his antagonist.
They fell together....
Denton leaped to his feet, dismayed at his
own fury; but the hypnotist lay still, and suddenly
from a little white mark where his forehead
had struck a stool shot a hurrying band
of red. For a space Denton stood over him
irresolute, trembling.
A fear of the consequences entered his gently
nurtured mind. He turned towards the door.
"No," he said aloud, and came back to the middle
of the room. Overcoming the instinctive
repugnance of one who had seen no act of violence
in all his life before, he knelt down beside
his antagonist and felt his heart. Then he
peered at the wound. He rose quietly and
looked about him. He began to see more of
the situation.
When presently the hypnotist recovered his
senses, his head ached severely, his back was
against Denton's knees and Denton was sponging
his face.
The hypnotist did not speak. But presently
he indicated by a gesture that in his opinion he
had been sponged enough. "Let me get up,"
he said.
"Not yet," said Denton.
"You have assaulted me, you scoundrel!"
"We are alone," said Denton, "and the door
is secure."
There was an interval of thought.
"Unless I sponge," said Denton, "your forehead
will develop a tremendous bruise."
"You can go on sponging," said the hypnotist
sulkily.
There was another pause.
"We might be in the Stone Age," said the
hypnotist. "Violence! Struggle!"
"In the Stone Age no man dared to come between
man and woman," said Denton.
The hypnotist thought again.
"What are you going to do?" he asked.
"While you were insensible I found the girl's
address on your tablets. I did not know it before.
I telephoned. She will be here soon.
Then—"
"She will bring her chaperone."
"That is all right."
"But what—? I don't see. What do you
mean to do?"
"I looked about for a weapon also. It is an
astonishing thing how few weapons there are
nowadays. If you consider that in the Stone
Age men owned scarcely anything but weapons.
I hit at last upon this lamp. I have wrenched
off the wires and things, and I hold it so." He
extended it over the hypnotist's shoulders.
"With that I can quite easily smash your skull.
I will—unless you do as I tell you."
"Violence is no remedy," said the hypnotist,
quoting from the "Modern Man's Book of
Moral Maxims."
"It's an undesirable disease," said Denton.
"Well?"
"You will tell that chaperone you are going
to order the girl to marry that knobby little
brute with the red hair and ferrety eyes. I believe
that's how things stand?"
"Yes—that's how things stand."
"And, pretending to do that, you will restore
her memory of me."
"It's unprofessional."
"Look here! If I cannot have that girl I
would rather die than not. I don't propose to
respect your little fancies. If anything goes
wrong you shall not live five minutes. This is
a rude makeshift of a weapon, and it may quite
conceivably be painful to kill you. But I will.
It is unusual, I know, nowadays to do things
like this—mainly because there is so little in
life that is worth being violent about."
"The chaperone will see you directly she
comes—"
"I shall stand in that recess. Behind you."
The hypnotist thought. "You are a determined
young man," he said, "and only half
civilised. I have tried to do my duty to my
client, but in this affair you seem likely to get
your own way...."
"You mean to deal straightly."
"I'm not going to risk having my brains
scattered in a petty affair like this."
"And afterwards?"
"There is nothing a hypnotist or doctor hates
so much as a scandal. I at least am no savage.
I am annoyed.... But in a day or so I
shall bear no malice...."
"Thank you. And now that we understand
each other, there is no necessity to keep you
sitting any longer on the floor."
