No colours except green and black the walls are green the sky is black (there is no roof) the stars are green the Widow is green but her hair is black as black.
The Widow sits on a high high chair the chair is green the seat is black the Widow's hair has a centre-parting it is green on the left and on the right black. High as the sky the chair is green the seat is black the Widow's arm is long as death its skin is green the fingernails are long and sharp and black.
Between the walls the children green the walls are green the Widow's arm comes snaking down the snake is green the children scream the fingernails are black they scratch the Widow's arm is hunting see the children run and scream the Widow's hand curls round them green and black. Now one by one the children mmff are stifled quiet the Widow's hand is lifting one by one the children green their blood is black unloosed by cutting fingernails it splashes black on walls (of green) as one by one the curling hand lifts children high as sky the sky is black there are no stars the Widow laughs her tongue is green but her teeth are black. And children torn in two in Widow hands which rolling rolling halves of children roll them into little balls the balls are green the night is black. And little balls fly into night between the walls the children shriek as one by one the Widow's hand. And in a corner the Monkey and I (the walls are green the shadows black) cowering crawling wide high walls green fading into black there is no roof and Widow's hand comes onebyone the children scream and mmff and little balls and hand and scream and mmff and splashing stains of black. Now only she and I and no more screams the Widow's hand comes hunting hunting the skin is green the nails are black towards the corner hunting hunting while we shrink closer into the corner our skin is green our fear is black and now the Hand comes reaching reaching and she my sister pushes me out out of the corner while she stays cowering staring the hand the nails are curling scream and mmff and splash of black and up into the high as sky and laughing Widow tearing I am rolling into little balls the balls are green and out into the night the night is black ...
The fever broke today. For two days (I'm told) Padma has been sitting up all night, placing cold wet flannels on my forehead, holding me through my shivers and dreams of Widow's hands; for two days she has been blaming herself for her potion of unknown herbs. 'But,' I reassure her, 'this time, it wasn't anything to do with that.' I recognize this fever; it's come up from inside me and from nowhere else; like a bad stink, it's oozed through my cracks. I caught exactly such a fever on my tenth birthday, and spent two days in bed; now, as my memories return to leak out of me, this old fever has come back, too. 'Don't worry,' I say, 'I caught these germs almost twenty-one years ago.
We are not alone. It is morning at the pickle-factory; they have brought my son to see me. Someone (never mind who) stands beside Padma at my bedside, holding him in her arms. 'Baba, thank God you are better, you don't know what you were talking in your sickness.' Someone speaks anxiously, trying to force her way into my story ahead of time; but it won't work... someone, who founded this pickle-factory and its ancillary bottling works, who has been looking after my impenetrable child, just as once ... wait on! She nearly wormed it out of me then, but fortunately I've still got my wits about me, fever or no fever! Someone will just have to step back and remain cloaked in anonymity until it's her turn; and that won't be until the very end. I turn my eyes away from her to look at Padma. 'Do not think,' I admonish her, 'that because I had a fever, the things I told you were not completely true. Everything happened just as I described.
O God, you and your stories,' she cries, 'all day, all night -you have made yourself sick! Stop some time, na, what will it hurt?' I set my lips obstinately; and now she, with a sudden change of mood: 'So, tell me now, mister: is there anything you want
Green chutney,' I request, 'Bright green - green as grasshoppers.' And someone who cannot be named remembers and tells Padma (speaking in the soft voice which is only used at sickbeds and funerals), 'I know what he means.
Why, at this crucial instant, when all manner of things were . waiting to be described - when the Pioneer Cafe was so close, and the rivalry of knees and nose - did I introduce a mere condiment into the conversation? (Why do I waste time, in this account, on a humble preserve, when I could be describing the elections of 1957 -when all India is waiting, twenty-one years ago, to vote
Because I sniffed the air; and scented, behind the solicitous expressions of my visitors, a sharp whiff of danger. I intended to defend myself; but I required the assistance of chutney ...
I have not shown you the factory in daylight until now. This is what has remained undescribed: through green-tinged glass windows, my room looks out on to an iron catwalk and then down to the cooking-floor, where copper vats bubble and seethe, where strong-armed women stand atop wooden steps, working long-handled ladles through the knife-tang of pickle fumes; while (looking the other way, through a green-tinged window on the world) railway tracks shine dully in morning sun, bridged over at regular intervals by the messy gantries of the electrification system. In daylight, our saffron-and-green neon goddess does not dance above the factory doors; we switch her off to save power. But electric trains are using power: yellow-and-brown local trains clatter south towards Churchgate Station from Dadar and Borivli, from Kurla and Bassein Road. Human flies hang in thick white-trousered dusters from the trains; I do not deny that, within the factory walls, you may also see some flies. But there are also compensating lizards, hanging stilly upside-down on the ceiling, their jowls reminiscent of the Kathiawar peninsula ... sounds, too, have been waiting to be heard: bubbling of vats, loud singing, coarse imprecations, bawdy humour of fuzz-armed women; the sharp-nosed, thin-lipped admonitions of overseers; the all-pervasive clank of pickle-jars from the adjacent bottling-works; and rush of trains, and the buzzing (infrequent, but inevitable) of flies ... while grasshopper-green chutney is being extracted from its vat, to be brought on a wiped-clean plate with saffron and green stripes around the rim, along with another plate piled high with snacks from the local Irani shop; while what-has-now-been-shown goes on as usual, and what-can-now-be-heard fills the air (to say nothing of what can be smelled), I, alone in bed in my office realize with a start of alarm that outings are being suggested.
When you are stronger,' someone who cannot be named is saying, 'a day at Elephanta, why not, a nice ride in a motor-launch, and all those caves with so-beautiful carvings; or Juhu Beach, for swimming and coconut-milk and camel-races; or Aarey Milk Colony, even! ...' And Padma: 'Fresh air, yes, and the little one will like to be with his father.' And someone, patting my son on his head: 'There, of course, we will all go. Nice picnic; nice day out. Baba, it will do you good ...
As chutney arrives, bearer-borne, in my room, I hasten to put a stop to these suggestions. 'No,' I refuse. 'I have work to do.' And I see a look pass between Padma and someone; and I see that I've been right to be suspicious. Because I've been tricked by offers of picnics once before! Once before, false smiles and offers of Aarey Milk Colony have fooled me into going out of doors and into a motor car; and then before I knew it there were hands seizing me, there were hospital corridors and doctors and nurses holding me in place while over my nose a mask poured anaesthetic over me and a voice said, Count now, count to ten ...
I know what they are planning. 'Listen,' I tell them, 'I don't need doctors.
And Padma, 'Doctors? Who is talking about...' But she is fooling nobody; and with a little smile I say, 'Here: everybody: take some chutney. I must tell you some important things.
And while chutney - the same chutney which, back in 1957, my ayah Mary Pereira had made so perfectly; the grasshopper-green chutney which is forever associated with those days - carried them back into the world of my past, while chutney mellowed them and made them receptive, I spoke to them, gently, persuasively, and by a mixture of condiment and oratory kept myself out of the hands of the pernicious green-medicine men. I said: 'My son will understand. As much as for any living being, I'm telling my story for him, so that afterwards, when I've lost my struggle against cracks, he will know. Morality, judgment, character ... it all starts with memory ... and I am keeping carbons.
Green chutney on chilli-pakoras, disappearing down someone's gullet; grasshopper-green on tepid chapatis, vanishing behind Padma's lips. I see them begin to weaken, and press on. 'I told you the truth,' I say yet again, 'Memory's truth, because memory has its own special kind. It selects, eliminates, alters, exaggerates, minimizes, glorifies, and vilifies also; but in the end it creates its own reality, its heterogeneous but usually coherent version of events; and no sane human being ever trusts someone else's version more than his own.
Yes: I said 'sane'. I knew what they were thinking: 'Plenty of children invent imaginary friends; but one thousand and one! That's just crazy!' The midnight children shook even Padma's faith in my narrative; but I brought her round, and now there's no more talk of outings.
How I persuaded them: by talking about my son, who needed to know my story; by shedding light on the workings of memory; and by other devices, some naively honest, others wily as foxes. 'Even Muhammad,' I said, 'at first believed himself insane: do you think the notion never crossed my mind? But the Prophet had his Khadija, his Abu-Bakr, to reassure him of the genuineness of his Calling; nobody betrayed him into the hands of asylum-doctors.' By now, the green chutney was filling them with thoughts of years ago; I saw guilt appear on their faces, and shame. 'What is truth?' I waxed rhetorical, 'What is sanity
Did Jesus rise up from the grave? Do Hindus not accept - Padma - that the world is a kind of dream; that Brahma dreamed, is dreaming the universe; that we only see dimly through that dream-web, which is Maya. Maya,' I adopted a haughty, lecturing tone, 'may be defined as all that is illusory; as trickery, artifice and deceit. Apparitions, phantasms, mirages, sleight-of-hand, the seeming form of things: all these are parts of Maya. If I say that certain things took place which you, lost in Brahma's dream, find hard to believe, then which of us is right? Have some more chutney,' I added graciously, taking a generous helping myself. 'It tastes very good.
Padma began to cry. 'I never said I didn't believe, she wept. 'Of course, every man must tell his story in his own true way; but...
But,' I interrupted conclusively, 'you also - don't you - want to know what happens? About the hands that danced without touching, and the knees? And later, the curious baton of Commander Sabarmati, and of course the Widow? And the Children - what became of them
And Padma nodded. So much for doctors and asylums; I have been left to write.
Alone, except for Padma at my feet.) Chutney and oratory, theology and curiosity: these are the things that saved me. And one more - call it education, or class-origins; Mary Pereira would have called it my 'brought-up'. By my show of erudition and by the purity of my accents, I shamed them into feeling unworthy of judging me; not a very noble deed, but when the ambulance is waiting round the corner, all's fair. (It was: I smelled it.) Still - I've had a valuable warning. It's a dangerous business to try and impose one's view of things on others.
Padma: if you're a little uncertain of my reliability, well, a little uncertainty is no bad thing. Cocksure men do terrible deeds. Women, too.
Meanwhile, I am ten years old, and working out how to hide in the boot of my mother's car.
That was the month when Purushottam the sadhu (whom I had never told about my inner life) finally despaired of his stationary existence and contracted the suicidal hiccups which assailed him for an entire year, frequently lifting him bodily several inches off the ground so that his water-balded head cracked alarmingly against the garden tap, and finally killed him, so that one evening at the cocktail hour he toppled sideways with his legs still locked in the lotus position, leaving my mother's verrucas without any hope of salvation; when I would often stand in the garden of Buckingham Villa in the evenings, watching the Sputniks cross the sky, and feeling as simultaneously exalted and isolated as little Laika, the first and still the only dog to be shot into space (the Baroness Simki von der Heiden, shortly to contract syphilis, sat beside me following the bright pinprick of Sputnik II with her Alsatian eyes - it was a time of great canine interest in the space race); when Evie Burns and her gang occupied my clocktower, and washing-chests had been both forbidden and outgrown, so that for the sake of secrecy and sanity I was obliged to limit my visits to the midnight children to our private, silent hour - I communed with them every midnight, and only at midnight, during that hour which is reserved for miracles, which is somehow outside time; and when - to get to the point - I resolved to prove, with the evidence of my own eyes, the terrible thing I had glimpsed sitting in the front of my mother's thoughts. Ever since I lay hidden in a washing-chest and heard two scandalous syllables, I had been suspecting my mother of secrets; my incursions into her thought processes confirmed my suspicions; so it was with a hard glint in my eye, and a steely determination, that I visited Sonny Ibrahim one afternoon after school, with the intention of enlisting his help.
I found Sonny in his room, surrounded by posters of Spanish bullfights, morosely playing Indoor Cricket by himself. When he saw me he cried unhappily, 'Hey man I'm damn sorry about Evie man she won't listen to anyone man what the hell'd you do to her anyway?'... But I held up a dignified hand, commanding and being accorded silence.
No time for that now, man,' I said. 'The thing is, I need to know how to open locks without keys.
A true fact about Sonny Ibrahim: despite all his bullfighting dreams, his genius lay in the realm of mechanical things. For some time now, he had taken on the job of maintaining all the bikes on Methwold's Estate in return for gifts of comic-books and a free supply of fizzy drinks. Even Evelyn Lilith Burns gave her beloved Indiabike into his care. All machines, it seemed, were won over by the innocent delight with which he caressed their moving parts; no contraption could resist his ministrations. To put it another way: Sonny Ibrahim had become (out of a spirit of pure inquiry) an expert at picking locks.
Now offered a chance of demonstrating his loyalty to me, his eyes brightened.
Jus' show me the lock, man! Lead me to the thing
When we were sure we were unobserved, we crept along the driveway between Buckingham Villa and Sonny's Sans Souci; we stood behind my family's old Rover; and I pointed at the boot. 'That's the one,' I stated. 'I need to be able to open it from the outside, and the inside also.
Sonny's eyes widened. 'Hey, what're you up to, man? You running away from home secretly and all
Finger to lips, I adopted a mysterious expression. 'Can't explain, Sonny,' I said solemnly, 'Top-drawer classified information.
Wow, man,' Sonny said, and showed me in thirty seconds how to open the boot with the aid of a strip of thin pink plastic. 'Take it, man,' said Sonny Ibrahim, 'You need it more than me.
Once upon a time there was a mother who, in order to become a mother, had agreed to change her name; who set herself the task of falling in love with her husband bit-by-bit, but who could never manage to love one part, the part, curiously enough, which made possible her motherhood; whose feet were hobbled by verrucas and whose shoulders were stooped beneath the accumulating guilts of the world; whose husband's unlovable organ failed to recover from the effects of a freeze; and who, like her husband, finally succumbed to the mysteries of telephones, spending long minutes listening to the words of wrong-number callers ... shortly after my tenth birthday (when I had recovered from the fever which has recently returned to plague me after an interval of nearly twenty-one years), Amina Sinai resumed her recent practice of leaving suddenly, and always immediately after a wrong number, on urgent shopping trips. But now, hidden in the boot of the Rover, there travelled with her a stowaway, who lay hidden and protected by stolen cushions, clutching a thin strip of pink plastic in his hand.
O, the suffering one undergoes in the name of righteousness! The bruising and the bumps! The breathing-in of rubbery boot-air through jolted teeth! And constantly, the fear of discovery ... 'Suppose she really does go shopping? Will the boot suddenly fly open? Will live chickens be flung in, feet tied together, wings clipped, fluttery pecky birds invading my hidey-hole? Will she see, my God, I'll have to be silent for a week!' My knees drawn in beneath my chin - which was protected-against knee-bumps by an old faded cushion - I voyaged into the unknown in the vehicle of maternal perfidy. My mother was a cautious driver; she went slowly, and turned corners with care; but afterwards I was bruised black and blue and Mary Pereira berated me soundly for getting into fights: 'Arre God what a thing it's a wonder they didn't smash you to pieces completely my God what will you grow up into you bad black boy you haddi-phaelwan you skin-and-bone wrestler
To take my mind off the jolting darkness I entered, with extreme caution, that part of my mother's mind which was in charge of driving operations, and as a result was able to follow our route. (And, also, to discern in my mother's habitually tidy mind an alarming degree of disorder. I was already beginning, in those days, to classify people by their degree of internal tidiness, and to discover that I preferred the messier type, whose thoughts, spilling constantly into one another so that anticipatory images of food interfered with the serious business of earning a living and sexual fantasies were superimposed upon their political musings, bore a closer relationship to my own pell-mell tumble of a brain, in which everything ran into everything else and the white dot of consciousness jumped about like a wild flea from one thing to the next... Amina Sinai, whose assiduous ordering-instincts had provided her with a brain of almost abnormal neatness, was a curious recruit to the ranks of confusion.
We headed north, past Breach Candy Hospital and Mahalaxmi Temple, north along Horaby Vellard past Vallabhbhai Patel Stadium and Haji Ali's island tomb, north off what had once been (before the dream of the first William Methwold became a reality) the island of Bombay. We were heading towards the anonymous mass of tenements and fishing-villages and textile-plants and film-studios that the city became in these northern zones (not far from here! Not at all far from where I sit within view of local trains!) ... an area which was, in those days, utterly unknown to me; I rapidly became disoriented and was then obliged to admit to myself that I was lost. At last, down an unprepossessing side-street full of drainpipe-sleepers and bicycle-repair shops and tattered men and boys, we stopped. Clusters of children assailed my mother as she descended; she, who could never shoo away a fly, handed out small coins, thus enlarging the crowd enormously. Eventually, she struggled away from them and headed down the street; there was a boy pleading, 'Gib the car poliss, Begum? Number one A-class poliss, Begum? I watch car until you come, Begum? I very fine watchman, ask anyone!' ...
In some panic, I listened in for her reply. How could I get out of this boot under the eyes of a guardian-urchin? There was the embarrassment of it; and besides, my emergence would have created a sensation in the street... my mother said, 'No.' She was disappearing down the street; the would-be polisher and watchman gave up eventually; there was a moment when all eyes turned to watch the passing of a second car, just in case it, too, stopped to disgorge a lady who gave away coins as if they were nuts; and in that instant (I had been looking through several pairs of eyes to help me choose my moment) I performed my trick with the pink plastic and was out in the street beside a closed car-boot in a flash. Setting my lips grimly, and ignoring all outstretched palms, I set off in the direction my mother had taken, a pocket-sized sleuth with the nose of a bloodhound and a loud drum pounding in the place where my heart should have been ... and arrived, a few minutes later, at the Pioneer Cafe.
Dirty glass in the window; dirty glasses on the tables - the Pioneer Cafe was not much when compared to the Gaylords and Kwalitys of the city's more glamorous parts; a real rutputty joint, with painted boards proclaiming LOVELY LASSI and FUNTABULOUS FALOODA and BHEL-PURIBOMBAY FASHION, with filmi playback music blaring out from a cheap radio by the cash-till, a long narrow greeny room lit by flickering neon, a forbidding world in which broken-toothed men sat at reccine-covered tables with crumpled cards and expressionless eyes. But for all its grimy decrepitude, the Pioneer Cafe was a repository of many dreams. Early each morning, it would be full of the best-looking ne'er-do-wells in the city, all the goondas and taxi-drivers and petty smugglers and racecourse tipsters who had once, long ago, arrived in the city dreaming of film stardom, of grotesquely vulgar homes and black money payments; because every morning at six, the major studios would send minor functionaries to the Pioneer Cafe to rope in extras for the day's shooting. For half an hour each morning, when D. W. Rama Studios and Filmistan Talkies and R ?Films were taking their pick, the Pioneer was the focus of all the city's ambitions and hopes; then the studio scouts left, accompanied by the day's lucky ones, and the Cafe emptied into its habitual, neon-lit torpor. Around lunchtime, a different set of dreams walked into the Cafe, to spend the afternoon hunched over cards and Lovely Lassi and rough bins - different men with different hopes: I didn't know it then, but the afternoon Pioneer was a notorious Communist Party hangout.
It was afternoon; I saw my mother enter the Pioneer Cafe; not daring to follow her, I stayed in the street, pressing my nose against a spider-webbed corner of the grubby window-pane; ignoring the curious glances I got - because my whites, although boot-stained, were nevertheless starched; my hair, although boot-rumpled, was well-oiled; my shoes, scuffed as they were, were still the plimsolls of a prosperous child - I followed her with my eyes as she went hesitantly and verruca-hobbled past rickety tables and hard-eyed men; I saw my mother sit down at a shadowed table at the far end of the narrow cavern; and then I saw the man who rose to greet her.
The skin on his face hung in folds which revealed that he had once been overweight; his teeth were stained with paan. He wore a clean white kurta with Lucknow-work around the buttonholes. He had long hair, poetically long, hanging lankly over his ears; but the top of his head was bald and shiny. Forbidden syllables echoed in my ears: Na. Dir. Nadir. I realized that I wished desperately that I'd never resolved to come.
Once upon a time there was an underground husband who fled, leaving loving messages of divorce; a poet whose verses didn't even rhyme, whose life was saved by pie-dogs. After a lost decade he emerged from goodness-knows-where, his skin hanging loose in memory of his erstwhile plumpness; and, like his once-upon-a-time wife, he had acquired a new name ... Nadir Khan was now Qasim Khan, official candidate of the official Communist Party of India. Lal Qasim.
Qasim the Red. Nothing is without meaning: not without reason are blushes red.
My uncle Hanif said, 'Watch out for the Communists!' and my mother turned scarlet; politics and emotions were united in her cheeks ... through the dirty, square, glassy cinema-screen of the Pioneer Gate's window, I watched Amina Sinai and the no-longer-Nadir play out their love scene; they performed with the ineptitude of genuine amateurs.
On the reccine-topped table, a packet of cigarettes: State Express 555. Numbers, too, have significance: 420, the name given to frauds; 1001, the number of night, of magic, of alternative realities - a number beloved of poets and detested by politicians, for whom all alternative versions of the world are threats; and 555, which for years I believed to be the most sinister of numbers, the cipher of the Devil, the Great Beast, Shaitan himself! (Cyrus-the-great told me so, and I didn't contemplate the possibility of his being wrong. But he was: the true daemonic number is not 555, but 666: yet, in my mind, a dark aura hangs around the three fives to this day.)... But I am getting carried away. Suffice to say that Nadir-Qasim's preferred brand was the aforesaid State Express; that the figure five was repeated three times on the packet; and that its manufacturers were W.D. & H.O. Wills. Unable to look into my mother's face, I concentrated on the cigarette-packet, cutting from two-shot of lovers to this extreme close-up of nicotine.
But now hands enter the frame - first the hands of Nadir-Qasim, their poetic softness somewhat callused these days; hands flickering like candle-flames, creeping forward across reccine, then jerking back; next a woman's hands, black as jet, inching forwards like elegant spiders; hands lifting up, off reccine tabletop, hands hovering above three fives, beginning the strangest of dances, rising, falling, circling one another, weaving in and out between each other, hands longing for touch, hands outstretching tensing quivering demanding to be - but always at last jerking back, fingertips avoiding fingertips, because what I'm watching here on my dirty glass cinema-screen is, after ail, an Indian movie, in which physical contact is forbidden lest it corrupt the watching flower of Indian youth; and there are feet beneath the table and faces above it, feet advancing towards feet, faces tumbling softly towards faces, but jerking away all of a sudden in a cruel censor's cut ... two strangers, each bearing a screen-name which is not the name of their birth, act out their half-unwanted roles. I left the movie before the end, to slip back into the boot of the unpolished unwatched Rover, wishing I hadn't gone to see it, unable to resist wanting to watch it all over again.
What I saw at the very end: my mother's hands raising a half-empty glass of Lovely Lassi; my mother's lips pressing gently, nostalgically against the mottled glass; my mother's hands handing the glass to her Nadir-Qasim; who also applied, to the opposite side of the glass, his own, poetic mouth. So it was that life imitated bad art, and my uncle Hanif's sister brought the eroticism of the indirect kiss into the green neon dinginess of the Pioneer Cafe.
To sum up: in the high summer of 1957, at the peak of an election campaign, Amina Sinai blushed inexplicably at a chance mention of the Communist Party of India. Her son - in whose turbulent thoughts there was still room for one more obsession, because a ten-year-old brain can accommodate any number of fixations - followed her into the north of the city, and spied on a pain-filled scene of impotent love. (Now that Ahmed Sinai was frozen up, Nadir-Qasim didn't even have a sexual disadvantage; torn between a husband who locked himself in an office and cursed mongrels, and an ex-husband who had once, lovingly, played games of hit-the-spittoon, Amina Sinai was reduced to glass-kissery and hand-dances.
Questions: did I ever, after that time, employ the services of pink plastic? Did I return to the cafe of extras and Marxists? Did I confront my mother with the heinous nature of her offence - because what mother has any business to - never mind about what once-upon-a-time - in full view of her only son, how could she how could she how could she? Answers: I did not; I did not; I did not.
What I did: when she went on 'shopping trips', I lodged myself in her thoughts.
No- longer anxious to gain the evidence of my own eyes, I rode in my mother's head, up to the north of the city; in this unlikely incognito, I sat in the Pioneer Cafe and heard conversations about the electoral prospects of Qasim the Red; disembodied but wholly present, I trailed my mother as she accompanied Qasim on his rounds, up and down the tenements of the district (were they the same chawls which my father had recently sold, abandoning his tenants to their fate?), as she helped him to get water-taps fixed and pestered landlords to initiate repairs and disinfections. Amina Sinai moved amongst the destitute on behalf of the Communist Party - a fact which never failed to leave her amazed.
Perhaps she did it because of the growing impoverishment of her own life; but at the age of ten I wasn't disposed to be sympathetic; and in my own way, I began to dream dreams of revenge.
The legendary Caliph, Haroun al-Rashid, is said to have enjoyed moving incognito amongst the people of Baghdad; I, Saleem Sinai, have also travelled in secret through the byways of my city, but I can't say I had much fun.
Matter of fact descriptions of the outre and bizarre, and their reverse, namely heightened, stylized versions of the everyday - these techniques, which are also attitudes of mind, I have lifted - or perhaps absorbed - from the most formidable of the midnight children, my rival, my fellow-changeling, the supposed son of Wee Willie Winkie: Shiva-of-the-knees. They were techniques which, in his case, were applied entirely without conscious thought, and their effect was to create a picture of the world of startling uniformity, in which one could mention casually, in passing as it were, the dreadful murders of prostitutes which began to fill the gutter-press in those days (while the bodies filled the gutters), while lingering passionately on the intricate details of a particular hand of cards. Death, and defeat at rummy were all of a piece to Shiva; hence his terrifying, nonchalant violence, which in the end ... but to begin with beginnings: Although, admittedly, it's my own fault, I'm bound to say that if you think of me purely as a radio, you'll only be grasping half the truth. Thought is as often pictorial or purely emblematic as verbal; and anyway, in order to communicate with, and understand, my colleagues in the Midnight Children's Conference, it was necessary for me quickly to advance beyond the verbal stage.
Arriving in their infinitely various minds, I was obliged to get beneath the surface veneer of front-of-mind thoughts in incomprehensible tongues, with the obvious (and previously demonstrated) effect that they became aware of my presence. Remembering the dramatic effect such an awareness had had on Evie Burns, I went to some pains to alleviate the shock of my entry. In all cases, my standard first transmission was an image of my face, smiling in what I trusted was a soothing, friendly, confident and leader-like fashion, and of a hand stretched out in friendship. There were, however, teething troubles.
It took me a little while to realize that my picture of myself was heavily distorted by my own self-consciousness about my appearance; so that the portrait I sent across the thought-waves of the nation, grinning like a Cheshire cat, was about as hideous as a portrait could be, featuring a wondrously enlarged nose, a completely non-existent chin and giant stains on each temple. It's no wonder that I was often greeted by yelps of mental alarm. I, too, was often similarly frightened by the self-images of my ten-year-old fellows. When we discovered what was happening, I encouraged the membership of the Conference, one by one, to go and look into a mirror, or a patch of still water; and then we did manage to find out what we really looked like. The only problems were that our Keralan member (who could, you remember, travel through mirrors) accidentally ended up emerging through a restaurant mirror in the smarter part of New Delhi, and had to make a hurried retreat; while the blue-eyed member for Kashmir fell into a lake and accidentally changed sex, entering as a girl and emerging as a beautiful boy.
When I first introduced myself to Shiva, I saw in his mind the certifying image of a short, rat-faced youth with filed-down teeth and two of the biggest knees the world has ever seen.
Faced with a picture of such grotesque proportions, I allowed the smile on my own beaming image to wither a little; my outstretched hand began to falter and twitch. And Shiva, feeling my presence, reacted at first with utter rage; great boiling waves of anger scalded the inside of my head; but then, 'Hey - look - I know you! You're the rich kid from Methwold's Estate, isn't it?' And I, equally astonished, 'Winkle's son - the one who blinded Eyeslice!' His self-image puffed up with pride. 'Yah, yaar, that's me. Nobody messes with me, man!' Recognition reduced me to banalities: 'So! How's your father, anyway? He doesn't come round ...' And he, with what felt very like relief: 'Him, man? My father's dead.
A momentary pause; then puzzlement - no anger now - and Shiva, 'Lissen, yaar, this is damn good - how you doin' it?' I launched into my standard explanation, but after a few instants he interrupted, 'So! Lissen, my father said I got born at exactly midnight also - so don't you see, that makes us joint bosses of this gang of yours! Midnight is best, agreed? So - those other kids gotta do like we tell them!' There rose before my eyes the image of a second, and more potent, Evelyn Lilith Burns ... dismissing this unkind notion, I explained, "That wasn't exactly my idea for the Conference; I had in mind something more like a, you know, sort of loose federation of equals, all points of view given free expression..." Something resembling a violent snort echoed around the walls of my head. 'That, man, that's only rubbish. What we ever goin' to do with a gang like that? Gangs gotta have gang bosses. You take me -' (the puff of pride again) 'I been running a gang up here in Matunga for two years now. Since I was eight. Older kids and all. What d'you think of that?' And I, without meaning to, 'What's it do, your gang - does it have rules and all?' Shiva-laughter in my ears ... 'Yah, little rich boy: one rule. Everybody does what I say or I squeeze the shit outa them with my knees!' Desperately, I continued to try and win Shiva round to my point of view: 'The thing is, we must be here for a purpose, don't you think? I mean, there has to be a reason, you must agree? So what I thought, we should try and work out what it is, and then, you know, sort of dedicate our lives to...' 'Rich kid,' Shiva yelled, 'you don't know one damn thing! What purpose, man? What thing in the whole sister-sleeping world got reason, yara
For what reason you're rich and I'm poor? Where's the reason in starving, man
God knows how many millions of damn fools living in this country, man, and you think there's a purpose! Man, I'll tell you - you got to get what you can, do what you can with it, and then you got to die. That's reason, rich boy.
Everything else is only mother-sleeping wind
And now I, in my midnight bed, begin to shake ... 'But history,' I say, 'and the Prime Minister wrote me a letter... and don't you even believe in ... who knows what we might...' He, my alter ego, Shiva, butted in: 'Lissen, little boy - you're so full of crazy stuff, I can see I'm going to have to take this thing over. You tell that to all these other freak kids
Nose and knees and knees and nose ... the rivalry that began that night would never be ended, until two knives slashed, downdown-down ... whether the spirits of Mian Abdullah, whom knives killed years before, had leaked into me, imbuing me with the notion of loose federalism and making me vulnerable to knives, I cannot say; but at that point I found a measure of courage and told Shiva, 'You can't run the Conference; without me, they won't even be able to listen to you
And he, confirming the declaration of war: 'Rich kid, they'll want to know about me; you just try and stop me
Yes,' I told him, I'll try.
Shiva, the god of destruction, who is also most potent of deities; Shiva, greatest of dancers; who rides on a bull; whom no force can resist... the boy Shiva, he told us, had to fight for survival from his earliest days. And when his father had, about a year previously, completely lost his singing voice, Shiva had had to defend himself against Wee Willie Winkie's parental zeal. 'He blindfolded me, man! He wrapped a rag around my eyes an' took me to the roof of the chawl, man! You know what was in his hand? A sister-sleeping hammer, man! A hammer! Bastard was going to smash my legs up, man - it happens, you know, rich boy, they do it to kids so they can always earn money begging - you get more if you're all broken up, man! So I'm pushed over till I'm lying down on the roof, man; and then -' And then hammer swinging down towards knees larger and knobblier than any policeman's, an easy target, but now the knees went into action, faster than lightning the knees parted - felt the breath of the down-rushing hammer and spread wide apart; and then hammer plunging between knees, still held in his father's hand; and then, the knees rushing together like fists. The hammer, clattering harmlessly on concrete. The wrist of Wee Willie Winkie, clamped between the knees of his blindfolded son. Hoarse breaths escaping from the lips of the anguished father. And still the knees, closing ininin, tighter and tighter, until there is a snap. 'Broke his goddamn wrist, man! That showed him - damn fine, no? I swear
Shiva and I were born under Capricorn rising; the constellation left me alone, but it gave Shiva its gift. Capricorn, as any astrologer will tell you, is the heavenly body with power over the knees.
On election day, 1957, the All-India Congress was badly shocked. Although it won the election, twelve million votes made the Communists the largest single opposition party; and in Bombay, despite the efforts of Boss Patil, large numbers of electors failed to place their crosses against the Congress symbol of sacred-cow-and-suckling-calf, preferring the less emotive pictograms of the Samyukta Maharashtra Samiti and Maha Gujarat Parishad. When the Communist peril was discussed on our hillock, my mother continued to blush; and we resigned ourselves to the partition of the state of Bombay.
One member of the Midnight Children's Conference played a minor role in the elections. Winkle's supposed son Shiva was recruited by - well, perhaps I will not name the party; but only one party had really large sums to spend - and on polling day, he and his gang, who called themselves Cowboys, were to be seen standing outside a polling station in the north of the city, some holding long stout sucks, others juggling with stones, still others picking their teeth with knives, all of them encouraging the electorate to use its vote with wisdom and care ... and after the polls closed, were seals broken on ballot-boxes? Did ballot-stuffing occur? At any rate, when the votes were counted, it was discovered that Qasim the Red had narrowly failed to win the seat; and my rival's paymasters were well pleased.
But now Padma says, mildly, 'What date was it?' And, without thinking, I answer: 'Some time in the spring.' And then it occurs to me that I have made another error - that the election of 1957 took place before, and not after, my tenth birthday; but although I have racked my brains, my memory refuses, stubbornly, to alter the sequence of events. This is worrying. I don't know what's gone wrong.
She says, trying uselessly to console me: 'What are you so long for in your face? Everybody forgets some small things, all the time
But if small things go, will large things be close behind
